
``I haven't had sex for the past two weeks, so please fuck me any way you want now,'' says the wife, who was addicted to orgies when she was single. When I reached out and looked at her crotch, she was already wet, and what's more, she had a shaved pussy. A lewd woman who incontinences with finger fuck, cums while being penetrated from behind, cums while shaking her big butt in cowgirl position, and touches the man's balls during side sex. Six such ripe and wet wives cum!
I’d bet they have at least 5 years of experience in soaplands. It’s so erotic that instead of jerking off here, I’ve decided to just go to a real soapland and pay the 35,000 yen.
Most of the women in this film were quite passive. Usually, seeing Hanaoka Jitta—who always delivers high-energy, aggressive performances—with Yuki Takaoka (the one with the thick hair) and Tamaki Otsuka twice in one film would be a 'huge win,' but for some reason, this just didn't hit the mark. It’s a matter of personal taste, but the women featured (aside from Kana Horikoshi) lacked any real character. They weren't particularly stunning, their performance wasn't great, and their figures were nothing special; everything felt half-baked. Perhaps I felt this way because I personally thought Series 9 was excellent. The chemistry between Jo Oshima and Kana Horikoshi, however, was good.
As always, it's intense, hardcore, and features passionate performances, true to this studio's style. If I may be selfish, all the women are 'former sex workers.' Is it really impossible to cast from other fields? No matter how hard they perform, if it feels like just another job, does the excitement fall short for anyone else but me? This AV has way too many cuts. Simple piston movements lack atmosphere. True eroticism is often found in the moments right before or after the act. I sincerely hope they reconsider this approach.