
Three years after losing her husband, Maya is drowning in loneliness. When a muscular repairman arrives at her door on a sweltering day, her suppressed sexual desires finally boil over. This is the story of a widow who loses control and plunges into a world of hidden pleasure.




















Though it's a 2010-era production, it's available in 6000bps high quality. It's a shame the mosaic is coarse, but Maya Sawamura is captivating as a beautiful, middle-aged woman who doesn't look like your typical AV actress. The camera captures a fleeting moment of brilliance in the life of an ordinary middle-aged woman, with the story unfolding to the melancholic waltz of Chopin. In the beginning, she fantasizes about an affair with an AC repairman, and after he leaves, she indulges in masturbation. She's caught by two neighborhood youths who blackmail her into giving in, but her surging mature libido isn't satisfied by just the two of them; she buys vibrators and engages in a wild 3P. Exhausted, the youths bring in an acquaintance, a middle-aged man (veteran Yamagata), to take their place. The interaction between these two middle-aged people is sticky and intense, with an incredible amount of facial ejaculation from Yamagata. It ends with a naked Sawamura masturbating on a low dining table. Her everyday clothes, underwear, and natural bush only serve to stimulate the senses even more.
The director has a great eye for costumes, lingerie, makeup, and hair styling, which perfectly captures the widow aesthetic that fits the shooting location. While she appears in many Takara works, this one lets you enjoy a side of Sawamura that you don't usually get to see in her other films. However, despite the premise of a sex-starved widow, the second scene turns into a soft-core non-con scenario where two local youths watch her masturbating. I think the whole film would have been better if it had stuck to a setting where Sawamura was the one initiating the action.
The actress has fair, curvy skin. Her large breasts with big, pink areolas are very erotic. The plot is about a frustrated housewife who lost her husband, but the actress's persona doesn't match this setting at all. She fails to convey that sense of frustration, which made the whole thing feel awkward from start to finish.