MTALL-019 - Brainwashed Pet: Maika Nissen

*I thought it was a violent work. There were slaps, candles, etc... It looked like she was really crying.

This is a review from the perspective of an M-leaning woman. The acts are pretty hard, and while the actresses surely enjoy that, sometimes it can look a bit unsettling. Watching it, I feel like Director Takuan kisses the actresses not just when he wants to, but when he wants to reassure them or when he thinks they're being cute. This is great. Usually, if you kiss after oral, it gets a bit awkward, but he doesn't give them a chance to feel that way. He kisses not just the obvious erogenous zones, but also places like their thighs. The gentle encouragement others have mentioned is also a nice touch. I wish I had a master like this.

*I think there are roughly two types of so-called M-kei actresses. One is the type that can endure intense torture. The other type is the type who can find euphoria in suffering. I think Maika Nizumi is a typical example of the latter. Since this is a work directed by Takuan, there is no mercy in the blame. The skin is pounded until it turns red, and wax is dripped from a low point, and after the wax comes off, it is still dyed red. It hurts, and the blame is definitely hot. She uses force to manipulate her fair-skinned and delicate body. However, under such circumstances, Maika Nizumi often has a dreamy look on her face. That's really beautiful. There aren't many actresses who can show this. For me, this is the mouth that can be said to be the best, so I have no choice but to recommend it with full marks. If you have similar interests, I think you will be satisfied.

*I recently learned about Maika-chan and I'm really hooked! There is a sense of menhera, a sense of communication impediment, a feeling of being embarrassed and a little reluctant, and a feeling of being a masochist who obeys even though you don't like it. I think this work is perfect for Maika-chan. It was so cute! When I saw this work, I thought it was more aimed at women than men. That was my impression. There's slapping, belly punching, and deep throat scenes, so it might be hard for women, but I want women who want to be dominated and dependent to watch it! The actor's way of speaking was a bit intimidating, but it also sounded like he was gently admonishing me, saying things like, "Don't just go away on your own. Do you understand?" In the missionary position, he said, ``I'm the only one who can understand you, right? I understand everything.'' I think people who like this kind of thing really like it (lol) Also, they made me have a threesome in front of my dad (the actor who plays the role of the ruler), and when Maika-chan said, ``I don't like it if it's not my dad,'' he said, ``You're going to hate me, right?'' and I didn't want him to hate me, but even then, Maika-chan kept glancing at my dad and said things like ``It's okay'' and ``I'll watch everything.'' When Maika-chan, who doesn't like it as someone other than her father but feels good about it, asks, "Aren't you going to hate me?" The part where she said, "I won't hate you. I want you to feel good. Can you do it?" was really nice! The actors other than the father also spoke kindly, so that was also good. It has become my favorite work. I'm glad I bought it!

Maika Nissen is wavering. She exists behind a soft filter, like the haze of a spring day. Even if she were to vanish like a soap bubble, she would remain deep and quiet in my heart. In my memories, she is surely smiling. This work is certainly not for everyone, and for someone like me with zero sadistic tendencies, just watching it drains a significant amount of mental and physical energy. I understand that there are fans of this genre, but while I can accept a slap, I never expected to see a woman actually punched in the stomach. Despite how incredibly hard-core this is, Nissen-san claims that her sobbing in the film is out of joy, not pain. You could say she was just that immersed in her role, but I didn't feel a hint of 'acting' or scripted dialogue from her. Even though it was a shoot, I couldn't help but feel that for those moments, she truly wanted to be there—that even while being mistreated and handled roughly, she wanted to be acknowledged. It was a performance so hauntingly intense that it makes watching it painful. I find myself selfishly thinking, 'Can't there be a work where the beautiful, sometimes girlishly smiling Nissen-san is just cherished and loved?'—I know I would treat her that way—but perhaps my karma isn't enough to love her in that manner. Happiness takes many forms. It's not for others to decide, and what one finds solace in is a personal matter. What Nissen-san embodies in this film is life itself. After finishing it, I couldn't help but reflect on her way of life and her very soul. The scenes of her laughing innocently in a sun-drenched park or playing with soap bubbles like a little girl in a messy, cramped room—these brief moments are where the production team's love and respect for her are concentrated. Her tears tighten my chest. There is salvation at the end of this harsh journey. I feel this is a magnificent work.