
女子大生・あかりを狙うストーカー男は夜道で襲い廃墟に監禁。「外は危険だ」「俺だけが味方だ」と信じ込ませ二人きりの生活が始まる。食料調達の見返りに性処理を要求しチンポを咥えさせる。空腹になったあかりに食料を与え信頼と愛情を植え付け、恋人のように中出し性交を繰り返す。何もない閉鎖空間で娯楽セックスで気を紛らわせる日々。愛した男と一生ここで暮らそうと考え始めたあかり。そして迎えた185日目…。












Akari-san is someone I personally trust due to her track record of great performances in drama-style AVs. The rest depends on the script and direction. This work seems to be about a man who kidnaps his crush (or target of stalking) to make her fall for him. In typical kidnapping stories, the victim doesn't open up, so they added a sci-fi element: 'the outside world is occupied by terrorists.' He brainwashes her into believing 'it's dangerous out there' and 'I'm your only ally' by self-harming or playing recorded gunshots near the door. You could call it absurd, but it's just the premise, so it is what it is. The important thing is whether the work utilizes that premise and depicts the psychological shift properly as a drama. Given the premise, the tone is serious and heavy. Akari-san's acting is so realistic that it feels even heavier, but the weak opening makes it likely viewers will drop it or fast-forward. It's important to establish the premise for the audience and the character, but wasting time on it without any highlights is negligence on the production side. The first scene is a transactional act for food; it's consensual but lacks emotional depth. Later, while waiting for him to return from fixing a power outage, her feelings seem to change. In the second scene, she seems to have opened up. The finale is a passionate, active performance where she initiates. Lots of kissing and intimacy—the play itself was perfect. As a drama, the process of her opening up between the first and second, and second and final scenes is unclear. Plus, what happened to the kidnapper's psyche? It's baffling that he doesn't 'react' to her changing feelings at all. If his love was only enough to abandon her at the end, why go through such an elaborate kidnapping? The biggest question is whether the structure was meant to spoil the fact that the premise is a lie from the start. It forces the viewer into a detached perspective, which makes Akari-san's intense acting feel hollow. She's capable of portraying that process and psychological shift, so it's a shame it wasn't depicted. If you can't portray the fundamental human psyche, it's not a 'drama,' no matter how complex the setting is.
This isn't just a simple kidnapping/confinement story; it's a full-blown sadistic drama where he brainwashes her into relying on him and eventually falling in love. It's a masterpiece highlighted by the intense performance of Akari Neo, who once mentioned in an interview that she was interested in acting. In the first half, she's a frustratingly normal, well-bred young lady, but the moment she's completely deceived and starts relying on him, her romantic feelings ignite. The finale, where she actively and passionately demands continuous impregnation, is a tour de force.
This is a serious, drama-style production spanning 185 days. The core of the story hinges on convincing Akari Neo that the outside world is dangerous due to war and that she can only rely on the protagonist, but that specific aspect felt a bit under-developed. While there were a few other parts that felt lacking, it was quite authentic and engaging as a drama. If you enjoy drama-focused adult content, it's worth a look.
*A woman who was supposed to be walking around town finds herself imprisoned in a strange room. "It's dangerous outside in the world of Hyahaha, so let's just live here together." This is a science fiction drama AV in which a woman who believes this completely unconvincing explanation lives in the man's room and agrees to have sex with him. Even if you create such an elaborate setting, it doesn't make it any more fun to play. The room is dark and small. No settings required. I don't want it to be just a confinement thing, but I want the play to be enriched.
*After nearly 60 minutes, the blowjob scene finally appears. Honestly, the drama part is too much. The place where you are brainwashed is also a normal room, and there are no suspicious tools or restraints, it is just dimly lit and difficult to see. Karami also lacks hardness and has no highlights.