
I took my wife back to my family's farm this autumn. My younger brother, Minoru, runs the farm now, and let's just say he's blessed with a massive endowment that I could only dream of. During the village festival, my wife, dressed in a yukata, couldn't help but fall head over heels for his undeniable, imposing manhood.










I've seen quite a few of Akiyama-san's works, and some have dirty talk while others don't. This one is full of it, which is exciting. The 'little brother peeking' setup wasn't really necessary, though. Regardless, it's a great series. I wish they had released more.
*She is slender and has an attractive line from her waist to her hips. Emphasizing the scene where the husband is peeking in feels like a hindrance.
*Shizuka Akiyama has a very beautiful body, but her facial expressions are a little lacking. That's one of the charms of it, that it doesn't look contrived. The production is also good, as it claims to specialize in stealing.
The actress looks a bit old for the role of the wife, which makes it hard to stay immersed, but her body is beautiful and her pale skin is lovely. Seeing her skin flush red feels very authentic. The plot is a classic 'wife stolen by a guy with a huge member,' but the pacing is great. She's mesmerized from the start, gets wet during a massage, and sighs while touching her sleeping husband's crotch. From there, it goes full throttle. I liked that it didn't follow the cliché of the husband catching them and confronting them immediately; instead, he's forced to watch helplessly. The direction of the mid-scene on the veranda, where the husband can only see part of the action, was excellent, and showing the parts he couldn't see was a huge plus for the viewer. The final scene where he leaves them alone to watch was also good. It's a great film, but the constant cuts to the husband's face while he's watching are annoying. I do like the touch where he pulls the blanket over his head to try and look away, though.
I thought '40s?' before watching, but... once I saw it, there was a heat and intensity that young girls with nothing but energy just don't have—the kind that makes your lower half tingle. It’s that sensation of skin melting into skin, of membranes sticking and sliding together. Anyway, it wasn't bad at all. The content is almost identical to that Takara Eizo series. However, the scene where the husband peeks at the affair—using a rustic sliding door with paper on top, glass in the middle, and wood at the bottom, showing only a glimpse through the glass—was personally a great touch. Things are more stimulating when you can't see everything. Also, the husband leaving them alone knowing full well what would happen—the psychological depiction of wanting them not to do it while simultaneously wanting the exact opposite was well done. If you like this kind of direction, I also recommend the same company's 'Super Subjective NTR Drama: My Wife Was Doing It With My Younger Brother - Reiko Sawamura'.