
A 52-year-old beautiful landlady, Yumi Anno, is forced into humiliating acts by drunken perverts at her small tavern. When they demand she use her urine to 'flavor' their food, she is trapped in a spiral of shame and forced compliance. Experience the intense eroticism of a mature woman in a kimono, where the act of not being fully undressed only adds to the thrill.




















Her makeup looks just like the announcer Mochizuki from Saturday mornings. Mocchi plays a snack bar hostess on her show, but Yumi-san plays an innkeeper who loves to pee. I guess in 10 years, Mochizuki might look like this too. She gives a great performance, but the camera shake and some of the bad angles cost it a point.
Applause to the director for drawing out so much erotic potential from the innocent Yu-min. It starts off with a bang with some intense incontinence, and the eroticism that begins with urine, just as the title suggests, really builds up the anticipation. Above all, this work is set in a small, familiar restaurant, allowing viewers to feel close to Yu-min. (Of course, there are zoomed-in, erotic low-angle shots too, haha!) Especially in the scene where she serves the last customer at the restaurant, she seems to restrain herself through erotic conversation, but ends up doing both urination and fellatio. The dialogue explaining why she ended up urinating despite trying to restrain herself is a highlight. Also, seeing her white legs when her kimono is lifted, and even her underwear, makes my heart race. With other scenes like negotiating with the organizer, serving in a bartender outfit, and playing a mother role, itโs packed with content that lets users enjoy Yu-min from various perspectives. (Itโs not just about the urine~!) For those who don't often see women in kimonos, I highly recommend watching this, and Iโll add that Yu-minโs nape is incredibly erotic at the end. As expected from the idea-rich RADIX.
She appears in a kimono with three distinct personas: a restaurant proprietress, a Showa-era madam, and a mother. Each segment is packed with highlights. The anal licking scene feels almost like it was cut mid-way, perhaps because the reaction was so unexpected, which was a nice surprise. In the scenes with the child, she looks directly into the camera, creating the illusion that she's talking right to you.