NMO-035 - Zoku・Ijou Seikou 50-dai Haha to Ko Sono 30: Hosoya Sayumi

She's an actress who perfectly embodies everything I like. Her technique is top-notch, too.

*He's just an ordinary old man with a plump, sloppy body and a noticeable dark spot on his butt. Perhaps it's because she has an erotic face with droopy eyes, or because she has great acting skills, but she's an actress with a vivid eroticism. The director also didn't try to make it look pretty, but rather he shot with such vigor that it emphasized the sloppy mature flesh and skin. It was so graphic and erotic that it felt like I was peeking into my neighbors' daily lives. However, it was only the third and last one that was thick, so I felt that there wasn't enough volume. If you did the first strong ● seriously and not in a fake way, I think the later development of ``I can't forget that pleasure'' felt more realistic.

Sayumi Hosoya is a voluptuous, sexy middle-aged woman who looks great with a short bob; she's not exactly a beauty, but that ordinary, 'neighbor next door' vibe makes it feel very realistic. (It makes you fantasize about what this seemingly wholesome housewife gets up to at night.) The son, overcome with lust after seeing his mother's defenseless skin post-bath, impulsively attacks her. The scene where she tries to run away, trips, and gets taken from behind is a fantastic piece of direction that captures the taboo nature of incest. However, masturbating in the living room where anyone could walk in is unrealistic. It would be more exciting and grounded if the son were peeping on her in a private space like her bedroom or the bathroom. The setup where she attacks her sexless husband after her son fails to satisfy her expectations is interesting. As for the ending, instead of 'There's no turning back...', it would have been better as a 'bad end' where the husband catches them in the act and she accepts her son's ejaculation right in front of him. I'd love to see these kinds of new settings in future works.