
A bullied employee finds solace in the company's idol, Natsu Tojo. But when he hears she's marrying a junior colleague, his hope vanishes. Suddenly, fate intervenes when he's sent on a two-day business trip with her alone. What happens when they're trapped in a hotel room together?




















This film, 'Working Wife, Violated on a Business Trip 2: Natsu Tojo,' is a work that focuses thoroughly on the delicate dramatic progression typical of the Nagae style and the 'change in expression' of the actress Natsu Tojo. Over the 135-minute runtime, I was first drawn in by how it doesn't just consume the situation, but calmly depicts the process of a woman being cornered. Natsu Tojo is known for her soft smile and idol-like transparency, but in this film, that is perfectly flipped. The setting of the 'office madonna' in an OL suit fits her perfectly, and the transition from her dignified demeanor to the thin voice and wavering gaze when her heart begins to falter—each detail is strangely realistic, making you hold your breath. As many reviews mention, her expression of the contradictory emotion of 'wanting to refuse but being unable to resist' strongly highlights her high acting ability. The story gradually transforms into a twisted relationship triggered by an incident on a business trip. While the forceful progression may be divisive, it's true that the 'sense of no return' deepens the immoral atmosphere and draws the viewer in. Especially in the final act, her expression as the relationship ambiguously crumbles feels vivid, transcending mere acting. On the other hand, the costume direction and the way the encounters are shown may be a matter of taste, and those looking for more exposure or direct staging might find it lacking. However, what more than makes up for that is the 'atmosphere' and the 'swaying of emotions.' The allure transmitted through black pantyhose and the aura of suppressed desire form the unique sexiness of this work. It's a film where the true value of Natsu Tojo as a character actress shines, allowing you to taste both her 'cuteness' and the 'beauty of falling.' For those who value drama, this is definitely a work that will hit the mark.
*Natsu's acting skills shine. Two intruders violently assault me in my room at my accommodation. Her reluctance is a realistic performance, and her gradually weakening resistance expresses her resignation, but the expression on her face is always regretful. A colleague enters the room by mistake with two thugs. Natsu is blindfolded and crying as her hands and feet are restrained and her private parts are exposed. The scene narrates the inner voice of a co-worker, and he loses himself and inserts himself into the reluctant Natsu. Natsu, whose hands and feet are tied and unable to resist, cums in missionary position. Even after the act is over, she shrinks her arms and legs like a potbellied doll, and when she senses that her private parts are being filmed, she weakly begs, ``What are you doing? Don't take pictures, don't take pictures.'' Taking advantage of the fact that she is blindfolded and unable to see her face, the scum subordinate turns to the reluctant Natsu-san and uses the sound of shutters to touch her heart. The scene where she shows slight resistance by shaking her body from side to side while hating the blindfold, disheveled clothes, restraints of her hands and feet, and exposing her private parts is the best. Leaving Natsu with semen dripping from her private parts, her colleague quickly leaves the room. (My erection still hasn't subsided, what's with this elation?) This is where my colleague awakens to the scum inside him. He releases Natsu without knowing anything, rescues him, and promises to keep him quiet. "Please, don't look at me, don't look at me," she begged weakly. (But now, when I remembered that my sperm was dripping from Natsu Tojo's pussy in front of me, I got an erection.) I like how the face of a co-worker changes to Natsu-san's face according to the narration of this trash's inner voice. From here, a daily drama unfolds between Natsu, who was raped, and her colleague, who was forced to watch her rape. A co-worker who was teased by Natsu's fiancée, who had a complex about her, goes on a rampage. A must-see scene at 01:24:15 where she is creampied on the desk and her butthole is twitching with her private parts exposed. After their weakness is captured, their interaction in a hotel room is especially erotic! Blowjob on all fours with her ass sticking out with her skirt taken off The sight of her panting while moving awkwardly in the background at 01:57:00 is incredibly erotic! Still, all I can say is, "Please stop." Hats off to Natsu Tojo's amazing acting skills. At the end, his body was twitching, but that was part of his acting, right?
*I was glad that the actress was good at showing off her disgust and panting. The actor's blaming is also good, but I wish he would have blaming his breasts a little more.
As expected, Natsu Tojo is beautiful. That alone is enough. Her suit look is very sexy, and her acting while being forced is superb. The way she naturally falls into it at the end was top-notch as well.
Now that Shino Aoi has retired, she is hands down No. 1 in terms of acting and style. Her masochistic roles, like the teacher one, are top-tier. I'm looking forward to her future. Her posture and walk are beautiful, and the final rear-entry scene—the line from her back to her waist, hips, and legs—is pure art. She looks great in black pantyhose. Her pubic hair is perfect, and I bet she'd look great in navy panties, too. Many actresses are going bare these days, which is a shame since beauties like Sumire Kurokawa and Hibiki Otsuki look so good with natural hair. Both would fit well at Attackers. She's a talent even greater than Ayaharu Natsume.