NSFS-311 - Excessively revealing wife's body 3. This lewd body drives men wild. Azuki Tenzuki

This actress was new to me, but she's really cute and has an amazing figure. She looks like she'd be so nice to hold. The work is in the Nakae style, so maybe my expectations were too high, but I wish the stepdad had been a bit more of a creep. Still, I'd definitely like to see more of this actress's work.

Tengetsu is cute and has a beautiful body. But the work itself leaves something to be desired. Tengetsu in this work is set up as an amoral, animalistic character whose thoughts are unclear. It's a shame that she's expressionless and, while pretty, doesn't feel very alluring. On the other hand, the father-in-law, a stern and honest former teacher (though depicted somewhat exaggeratedly), is a passive role who falls for his wife's seduction, just repeating 'No!' So, after the father-in-law touches the wife, the drama just stalls. If it had depicted the father-in-law's downfall like Nabokov's *Lolita* or Tanizaki Jun'ichirō's *Naokichi*, the drama could have been complete, but that would be too 'literary' for an AV. Even in the seduction scene, the fact that her body is too perfect and lacks sensuality is a problem. I think a woman who's a bit older and whose body is starting to show its age would be more 'lewd' in this situation. Thinking about it, Tengetsu's role is a really difficult one, requiring acting skill in the seduction scene and leaving you wondering what emotions and expressions to convey during the sex scenes. And even if she does well, there's no guarantee it will be exciting as an AV. Ultimately, isn't this story just not suited for an AV? Here, I think it would have been better to revert to Ozawa's usual character – outwardly stern and honest, but secretly a beastly father – have him gather evidence of the wife's affair to possess her body, and have Tengetsu be a frustrated, ordinary young wife who reluctantly gives in but gradually falls for him. In that case, the title would naturally be 'Punishment.' Also, I think the epilogue narration at the end is unnecessary. I've nitpicked a lot, but the pairing of young and beautiful Tengetsu with Ozawa is definitely not bad. It's just a shame that the plot doesn't let it shine.

The Nagae style… or rather, Ozawa Toru, who's played countless 'father roles' in the AV industry. I genuinely believe the pairing of Ozawa Toru and director Tomizo Taro is essential to recent Nagae works. The script/story lives or dies by the actor's performance. In that regard, this is a solid piece. Azuki Tengetsu is new to me. Her resilient wife with an M-like personality felt like a perfect fit. The husband actor has a very natural and skilled performance. The wife's affair is discovered, and the father-in-law, realizing it, urges them to separate, but the wife, unwilling to part, seduces the father-in-law. The script is almost identical to the earlier work, 『The Wife with a Makoko Face.』 A common trait among the actresses in this series is beautiful breasts. Previously, Mido Iou was usually cast as the father-in-law, but Ozawa Toru taking on the role feels like it's increased the narrative completeness. However, it feels like Ozawa Toru, the father-in-law, overshadows the actress a bit.