
The couple strongly demands repayment from their father-in-law, Daikichi, for money they lent him. Angered by Daikichi's evasiveness, Tsubaki decides to walk back to her lodging alone. However, on the way, Tsubaki is attacked and assaulted by unfamiliar men. After the men disappear, Daikichi surprisingly appears before Tsubaki, who is naked, bound, and unable to move..




















*He's a great actor (lol). The feeling of resignation when he was inserted, the feeling of suppressing his voice and enduring it, was really good. The expression on his face as he patiently endures is indescribable (lol)
*I ended up buying a jacket for this! The best part was that Tsubaki Kato abducted a married woman walking alone on a country road and creampied her outdoors in a warehouse! The white blouse and tight skirt that Tsubaki wears when she is kidnapped is a good choice as it is a neat and clean outfit that is the complete opposite of what is about to happen when she will be covered in dirt! It would have been even better if she was also wearing pantyhose! Sensing the disturbing atmosphere in the country's kindness, Tsubaki tries to run away, but the bastards push her to the ground, take off her clothes, tear them off, and hold her down, and they all take turns pistoning her hard and making her cum continuously! Tsubaki's reluctance and resistance to being fucked with dirt all over her feet, and above all, the expression on her face that stands out even in 4K quality is irresistible! Well, the bastards will get excited and want to fuck her while breathing heavily and forcefully cum inside her! Personally, I bought it just for the first outdoor ring scene! After this, the scene where she is tied up and even her stepfather, with whom she doesn't get along well, is raped and forced to cum inside her is so humiliating and amazing! Honestly, I wanted to see the humiliating bad ending for Tsubaki, where she is repeatedly raped and creampied by all the scumbags, including her father-in-law, regardless of where she is! Lately, there have been fewer and fewer sweaty, muddy outdoor activities like this, so I was happy to see it with Tsubaki Kato! I look forward to more works like this!
*During the VHS era of the Showa era, when manufacturers were mass producing crappy works with a poor image, Takami Nagae and Henry Tsukamoto led the way by releasing full-fledged drama works. This work has a setting that is reminiscent of the violent porn of a certain era in the same series, and is very moving. At the time, it was an omnibus series of short works, but while the situations were exactly the same, the foreshadowing drama in the beginning was well-incorporated, which combined with the excitement and anticipation of the entanglements to create an extremely erotic work. Ms. Kato plays a strong and beautiful married woman covered in mud, but she is opened, stirred, and penetrated in an embarrassing manner by her peers, and the way she gradually transforms from a ``lady'' to a ``female'' is incredibly lewd. Daikichi Yasu still looks like a scumbag, and personally, I get excited when Mitsugu Someshima and others come together to play senior roles.
*The scene where he gets laid while covered in mud was pretty good. Tsubaki's performance of being fucked by multiple men was great. He is very good at acting both strong-willed and weak-minded. Well, Tsubaki-san's acting is top-notch, so I wish she would release Nagae more.
*I had avoided it because the actress wasn't my type, but I have to admit that this is a erotic work. First of all, the first rape scene is so powerful that it makes you feel like you're watching a true crime story from the Showa era, and you can't help but want to stop it, saying, ``That's no good!'' However, towards the end, the scene where she cries and cries as she begins to feel the unstoppable pistons of the men is exquisitely expressed, and even as someone who hates rape, I start thinking, ``Huh?'' Then Daikichi-san appears, and with his own logic, ``Maybe he was having some perverted play with the person he was having an affair with!'', he starts raping his son's wife, who is tied to the bench, as if to punish her, which is dangerous. What's more, in this scene, Daikichi's usual licking technique is extremely effective. I was astonished by the scene where he greedily licked her whole body, and then took off his dentures and attacked his crotch. Well, if I were to marry her, I'd be terrified, screaming, screaming, screaming. Naturally, she was unable to tell her husband about this horrifyingly humiliating experience, and as she returned to her daily life and was idly by herself, her wife's narration says, ``It was humiliating at first, but the excitement eventually became addictive,'' which is an excellent story in which the story quickly changes from rape to Japanese rape. Some people may want the process of psychological change to be clearly expressed, but personally, I think it's easier to watch if the story changes all at once through narration, as it stirs the imagination, rather than leaving it all limp with poorly written acting or episodes. In fact, in the final orgy, the wife's addictive behavior was amazing. She mercilessly fucks with the men and gets pounded one after another, enjoying herself and saying, ``Oh, wow, no, no, I'm cumming again.'' The movement of her tongue as she devours and licks the dick herself is so erotic, and she also squeezes the men's ejaculate dicks from herself. It's truly an addictive feeling, and in the end, she feels her father-in-law, Daikichi, with tongue-chucking and cunnilingus, and when he enters her from behind, she moans and moans, "It feels so good." The brilliant story of how a rape's humiliation becomes addictive is a work that can be said to be the true essence of Nagae's work.