NSFS-410 - Incest: Father and Daughter-in-Law ~A Decadent Relationship Continuing After Marriage~ Yukari Nonoka

*Anyway, the camera work is vivid. The saliva and close-up texture of the skin from being licked can't be seen anywhere else.

*I bought it with high expectations because of the real father-daughter setting between Noka Yukari and the legend Ozawa.It's true that the sex is erotic and wonderful, but in father-daughter stories, the most interesting and appealing part is how the story begins and how the father and daughter end up having incest.I didn't need the mother to find out, the divorce, and the husband to find out, and the content is a little too dark.

*I feel like we've seen another great actress following Machi Ikuno from "The Wakan 24." Like Ikuno, she is not a beautiful woman who catches your eye at first glance, but she is very attractive, and as the story progresses, she becomes more and more beautiful. Also, while Ikuno was personally attracted to the beauty of her legs, Yukari's facial expressions, especially the beauty of her eyes, stand out. This is also the same as Ikuno, but he is also good at acting. I feel that I can understand the feelings of a woman who is keeping herself low for fear that someone will reveal her secret, and that the only way she can free herself is through sex with her father, who shares her secret. Of course the relationship is good. All three times are good, but the third time in particular is in the midst of the passion of the two who are about to be separated. Mr. Ozawa doesn't stop moving even when Yukari cums, and Yukari lies down with a fierce expression on her face while her body twitches. It's beautiful. However, while I acknowledge that it is a wonderful work, I also do not want to fully approve of this subject matter. I feel that mother-son incest is disgusting, but I can't help but say that I'm an opportunist for not feeling the same way about father-daughter incest. However, there are many gruesome cases of father-daughter incest in which a daughter who is not yet able to support herself and cannot be rejected is made the object of selfish desire, such as the famous Supreme Court case that ruled that the crime of murdering an ascendant was unconstitutional, as is known to anyone who has studied the law. Especially the creampie at the end, although I think this is correct for the drama, I simply can't accept it. In the case of a pregnancy resulting from father-daughter incest, it is not the case that it is enough to acknowledge it, as in the case of normal adultery. Hell awaits the woman whether she has an abortion (as seen in the recent Supreme Court case) or gives birth, so if this father truly loved his daughter, he should have refused to have sex with her even if she wanted to. I deducted one point from this masterpiece as a reminder that men in particular should realize that anything is possible with love.

*The story is about a married woman who has had an incestuous relationship with her biological father since her school days, and the plot is quite contrived. The script shows that the relationship, which had been live but never ended in creampie, crosses the line even further when the father, desperate for help, creampied his daughter without her permission, as she was about to leave her husband. The tension between the father and daughter after the first creampie makes them aware of the risk of pregnancy, and the middle part is a dramatic pseudo-sex scene, but it also clearly depicts the sense of immorality of the daughter who is prepared to become pregnant and falls into incest. The quality of the script is outstanding, from the story of the mother's intervention, who finds out about her husband and puts her under house arrest, to the father and daughter's escape where they abandon everything. The sex, which could be described as hand-to-hand combat while calling his father "daddy," was powerful and good, but Ozawa's creampie performance was too weak to say that he was prepared to impregnate her, and I wish the director had been more particular about that, as he's an actor who can do a bit more clingy acting. The first half and the second half are the same missionary position and passive creampie, so there is no contrast, so the second half might have been better with a cowgirl position or a hold position where you can see the daughter's aggressiveness. The performances of the performers other than the actresses and actors were generally of high quality, and I think the style of not putting the brakes on half-heartedly could be made into a series, so if there is a next one, I'd like to hear more about the creampie direction.

They didn't depict the relationship from their school days, which was also the reason for their parents' divorce. I was looking forward to seeing her reaction to having that kind of relationship with her biological father for the first time in her uniform, but it was a real shame. I wanted to see some interaction in school uniforms. And the biggest thing is, "Why did you even get married?" If her mother, the obstacle, was gone, they could have just continued living together. They didn't just date, they got married, but Nonoka is completely obsessed with her father and doesn't give a damn about her husband, and if the final decision is also leaning that way, why didn't they just live together from the start? Even if it's to add the immoral value of a married woman continuing an incestuous relationship, the husband is just too pitiful. The H-scene was really good, and I liked the feeling of them burning for each other again after being apart for a while. If getting married meant their feelings went to zero and then rekindled… that didn't feel off at all, but since she was still all about her dad ♡♡ while ignoring her husband, I thought, why even bother getting married?