
The frustrated wife, Miwa, also had complaints about her husband. At that time, Miwa decided to go on a neighborhood camping trip that her husband didn't want to go on. Reluctantly, her husband also participated, but it was a trap set by the neighborhood older men...




















The first installment of 'Madonna's Town Camping NTR' was released on August 25, 2019, and surprisingly featured Neo Akari in a film directed by Nagae. The Ishihara Kibou version, the second installment, came out over a year later on September 25, 2020, directed by Fumizo Taro, who's also helming this one. Since the series became ongoing, releases have been coming out within six months, but why? What caused that year-plus gap between the first and second installments? Was it a seasonal issue, given the camping theme? Meanwhile, this 'Town Association Round-the-Tent'… seriously, couldn't they come up with a better title?… is a later series under the 'Nagae' label, but honestly, I'm wondering if there's any point in making it under 'Nagae'. Why do I feel that way? The content is so similar between the series that you could swap them and no one would notice. Is that why…? It might just be a matter of 'STYLE' for each manufacturer. If we're using comedy as an analogy, 'Madonna' is like 'Yoshimoto Shinkigeki,' and 'Nagae' is like 'Shochiku Shinkigeki,' like 'Manzai' and 'Rakugo' in performing arts? It's like the difference between 'Invincible Steel Man Daitarn 3' and 'Invincible Superman Zambot 3.' 'Madonna' has works that suit 'sunshine,' but 'Nagae' doesn't. Even works that could be called 'HAPPY END' have a melancholic feel. It's not as bleak as something from 'F.A. Pro,' though… So, what I think the work needs is a difference in 'direction.' In the 'first' one, when Maeda Mivawa and Ozawa Tooru are in the tent, two old men 'interrupt.' In 'Town Camping NTR,' you just see the shadows of the men outside the tent, but here, there's a 'should we stop?' conversation before they just burst in! That kind of detailed depiction is Nagae's strength! And it's good that they don't do unnecessary things like 'water guns!' Mivawa is adorable! The cuter the woman, the more adorable she looks when she's being manipulated by the old men's techniques! I think acting flaws aren't a problem with this kind of work. Just leave it to the old men! My only complaint is that the casting for the old men was better in the Tokunaga Shiori version. I think Ie-i Takashima is too intimidating for Mivawa. And the ending is more like '2 Nights and 3 Days Couple Swap Camping' than 'Town Camping NTR,' right?
She's a slender beauty with long limbs, a small face – she really gives off Meruru vibes. And this super gorgeous wife spends the entire camping trip showing off her legs in a sexy pair of hot pants while getting tipsy… naturally, it gets more than just the sleazy old men going. I bought it immediately thinking the situation alone would be enough, but for some reason, I wasn't as turned on as I expected. The acting is borderline wooden, which is unavoidable, but there's plenty of tongue action, a good amount of continuous thrusting, and she does all the positions – riding, waist flicks, the works – but it just didn't *click*. I was already finishing up before I knew it. This is a really hard one to rate. The story is a straight-up camping cliché with no twists, it doesn't really feel taboo, and there are a lot of reasons why… but mostly, I just didn't feel that inner eroticism or perversion. That said, the actress is genuinely beautiful, with an incredible body. Her cute moans and beautiful figure are mesmerizing. The male actors are so lucky. Maybe I'll get a different impression if I rewatch it when I'm feeling better…