NSPS-446 - 10 years into marriage... The moment a wife turns back into a woman 2

*Although it is a work from 10 years ago in 2026, the interaction between Mr. Kurihara and Mr. Inoue is amazing. I have never seen the look in Mr. Inoue's eyes during the second time, especially when he started to attack from around the 56th minute. This cut was beyond the level of improvisation, and I thought it was improvisation. I think it can be said that this is a work of art that is woven together by the feelings of two artists responding to each other. There was a sense of trust between the two of them, and it felt like the camera was recording them as they entered their own world. The camera didn't just take pictures of the scene, but seemed to choose the angle of view that would make the woman look most beautiful, as it kept changing depending on her movements. I think seeing women rise to the top is one of the most beautiful things that can happen in this world. The biggest highlight of this work is seeing the beautiful Inoue become even more beautiful. What's even better is that the scenario is probably original, has a solid plot, and doesn't fall apart. The performances of the performers are also of high quality, which, combined with the quality of the images, raises the quality of the work to the next level. The production team was most concerned with how to make the leading actress look erotic and beautiful, and Ms. Inoue responded to that with a performance that exceeded expectations. The flat and matter-of-fact narration, the tone of the words that match the scene, and the erotic interplay are all of a very high standard. Above all, it's the use of pauses and the expression of emotion through facial expressions alone. This is Ayako Inoue, and she is a truly wonderful actor. Inoue-san may not need any lines. It was a work that could only have been created by Mr. Inoue, but to me, as an amateur, it just looked like a perfect video work, with Mr. Kurihara and the director who made the lead actress serious, the camera work, cuts, editing, make-up and costumes that deliberately kept it plain but erotic. Inoue-san, who says ``come'' with just the movement of her glossy lips through the glass fogged by her breath, is especially beautiful and condenses all the erotic elements. I also thought that perhaps this was a piece intended to depict this scene. I can't express it in words, so I want you to feel it in your heart. This is a work that I would like many people to see, not just Inoue's fans. Thank you to the manufacturer, director, staff, makeup artist, Kurihara-san, and Inoue-san for such a wonderful work.

I think Inoue-san gave a passionate performance as a housewife who has endured so much. The story is good, and the way her emotional explosion matched her actions was very exciting.

Inoue Ayako plays a plain housewife who moves to the countryside with her mentally exhausted husband, where she experiences an affair. On a boring afternoon in an old country house, she tries to relieve her pent-up frustration through masturbation, only to be caught by the neighbor. Still unsatisfied, she gives in to the neighbor's advances, enters his house, and engages in rough sex that starts with a kiss. Her simple white underwear perfectly captures that Showa-era vibe. Around the 25-minute mark, there's an intense scene where she leans against a shoji screen with her hips raised while the neighbor has his way with her. Her pressing her vagina into the man's mouth is a must-see. After enjoying this animalistic sex, she returns the next day, repeating the act with even more hunger. This time, she wears stylish, smaller white lingerie, enjoying the foreplay like a seasoned adulteress. Having found an irreplaceable pleasure in her dull country life, her expression is finally relaxed and satisfied.

The actress has a beautiful figure and skin. Her face might be a matter of taste, but there's a certain allure in the way she looks at her lover. The kissing and breast caressing in the scene where he comforts her frustrated body are very sensually portrayed. The final scene was also thrilling. If I had to ask for more, I think inserting flashbacks of their previous encounters would have made the ending even more impactful.

The acting of Ayako, a wife ignored by her depressed husband, is realistic and makes for a lyrical piece. It has that unique, distinct worldview characteristic of the Nagae style.