NSPS-516 - 代理セックス 性機能障害で勃起不全な夫の切実なお願い。 江上しほ

First off, the actor playing the husband is quite good. He portrays the struggling, impotent husband well. Egami-san is very healthy, young, and beautiful. The masturbation scene in the bathroom is well-directed, with details like her wet panties. The most exciting part was the first contact. The sweater that accentuates her bust and the knit skirt are great. Watching her body, heated from a sexless marriage, being slowly explored and gradually reaching a peak is irresistible. The way she covers her mouth with one hand to stifle her moans is also very moving. I wish they had taken more steps before the 'no kissing, no oral' rule was broken so easily the second time. I wish Nakada-san had played the push-and-pull a bit more. The scene where she changes her underwear to welcome a man after sending her husband to a reunion is also a nice detail. Come to think of it, it reminds me of a married woman from my company I once managed to get into a hotel under the condition of 'no kissing, no penetration.' Of course, that promise was broken immediately.

*This is the first time I have seen Mr. Egami's work, but it seems that the realism that goes beyond the script appears in the drawings. In terms of body shape, she has a lot of flesh around her stomach for a young woman, and this may be what makes her attractive and sensitive. It's a bit disappointing since the story is simple and the actor doesn't have to go out of his way to appear in a wig, as we've already seen his naughty head in other works. If I remember correctly, she appeared in a similar wig in Yuka Honjo's work. However, it's strange because both films are finished well thanks to the hard work of the actresses.

Actress: 5 stars, Setting: 5 stars, Director: -1 star, so 3 stars on average. The most important part of a cuckold story is the process of the wife's transformation, but they just glossed over it with the husband's narration: 'After that, my wife was held by Kondo every two weeks.' That's the part I want to see! Also, there's no visual progression—she starts without fake lashes and in a high-neck top, but there's no evolution where she starts wearing heavier makeup and revealing clothes. Just making her moan and make faces isn't enough to be exciting. Egami was great, but as a director, this is a failure. I'd love to see Egami Shiho when she's in her 40s or 50s.

The ratings seem low, but to me, it felt like a fantastic production to kick off the first day of 2017. It's true that the wife suggests she won't kiss or perform oral, yet in the second scene, she suddenly uses her tongue when they are alone, but it's clear from the context that they have a regular sex life and her body has become accustomed to it, leading her to seek more pleasure. I understand the opinion that the process should have been depicted more clearly, but for me, the highlights were seeing this cute, new actress in her second scene, the third scene where she kicks her husband out to a reunion to bring another man over, and her reaching a climax in the final passionate scene while being watched by her husband. Also, the scene before the second encounter where the wife and the caregiver stand side-by-side and give a look to the husband that says, 'We're going to the next room to have sex now,' is incredibly erotic. From the husband's perspective, the anxiety must have been immense. Shiho Egami is so cute. It's amazing to see a baby-faced wife with a pure, flushed-cheek vibe go full-on erotic. Just seeing her tongue when she ate during the first meal scene made me so excited for what she would do with it later that I watched the whole thing without skipping. As expected of Nagae. A great work.

*It was my first time seeing Egami-san, but she is a wonderful actress. She has a cute face, a body that makes you feel comfortable holding her, and she's not bad at delivering lines. I'm really into the role of a married woman this time. [Good points] In fact, the setting of a frustrated married woman is expressed through a masturbation scene in the bathroom. A husband discovers his wife masturbating and is so troubled that he lets his wife be held by someone else. The scene where the wife imposes the restrictions of "no kissing, no oral service" and the line at that time. In the first scene, the wife is suppressing her voice, but when she forces her husband to go to the reunion and kicks him out of the house, she starts to raise her voice and feels that way. [Bad points] The ban on kissing and oral service is lifted from the second time. It's good to see the wife showing concern for her husband in the living room (turning her gaze toward the entrance to the bedroom), but I wish the story had shown the process behind how the bondage was lifted in the first place. Also, I feel that the production of not using rubber from the second karami was developed too quickly for the same reason as mentioned above. I like Hatsumi's work, as it has the same general flow as her work, but I feel that the important thing is how the strictures of ``no kissing, no oral service'' were lifted, so my personal rating is 3 stars.