NSPS-549 - The Unbearable Curves: Father-in-law and his Busty Daughter-in-law, Rina Ayana

Veteran actor Ozawa relentlessly attacks Rina Ayana with his signature deep-kissing. While her lines are a bit stiff, she’s clearly growing as an AV actress, showing more natural expressions and gestures as she relaxes. During the first and second encounters, Ozawa doesn't make her perform oral sex, moving straight from foreplay to penetration. It feels realistic—if you were overcome with desire for your wife, you wouldn't stop for oral sex like in other AVs. It’s a nice touch of that 'Nagae style' from FA Pro. However, maybe it's just the actor's or director's preference, but there are way too many deep kisses. Rina Ayana's charm lies in her large, perky butt and the curved line of her slender back. Her full breasts and sensitive, large nipples are also captivating. Ozawa sucks on her nipples repeatedly while penetrating, leaving them glistening with saliva, but it feels a bit one-note and doesn't really bring out the best in them. It would have been more exciting if he had pinched, pulled, and teased them with his fingers. She would have been writhing in pleasure if he had. A bit of a missed opportunity.

*If the story were to start from the first scene, it would feel quite strange. After my mother-in-law passed away, my wife came to check on my father-in-law once a week. This daughter-in-law has probably felt her father-in-law's lewd gaze from well before the first scene. She may have been sitting alone at home in agony, imagining the naughty gaze of her father-in-law and the naughty body she was aware of, even though she was not satisfied with her husband. And it looks like she actually enjoys the lewd gaze of her father-in-law. In the first scene, the clothes and underwear she changes into after arriving at her father-in-law's house, and her subsequent words and actions give a sense of what this bride is up to. Later, when she and her husband visited her father-in-law's house, she had her shirt buttoned up to the top at the entrance, but when she entered the room, she had undone the second button. I can feel the director's commitment to various parts. The moist and realistic images are also wonderful. It's good to appreciate the story by imagining the first part, but I think it would have been even better if it had been expressed a little more.