
When her elite husband falls ill and stays home for two years, their happy life begins to crumble. Then, his most hated boss shows up and starts corrupting his wife, Mao, right under his nose. A descent into a forbidden, shameful affair.




















I can always count on Nagae works to be enjoyable. However, the ending felt a bit ambiguous this time. It would have been better if there was more of a dynamic flow.
*She's one of my favorite actresses, so I rented it. Although the production and other aspects were solid, I felt that the main actors and actresses were lacking. ``Kiss,'' which is the true essence of Nagae's work, is loose. As for the actors, it would have to be Ozawa, Someshima, Sueto, and Bunta Yoshimura. I feel like actresses and actors should learn more about nagae.
A young, beautiful, and chaste wife who is aware of her own erotic desires and body, but suppresses them because of her husband's illness. First, I want to highlight the scene where the boss visits for the first time. The way the boss's gaze moves, and the wife who feels it sensitively but pretends not to notice. The atmosphere of them being conscious of each other's gaze is brilliantly expressed. It's a meticulous and excellent work in every aspect—casting, styling, situational settings, dialogue, and angles. If works like this aren't appreciated, we'll see fewer works with such fine details. I really hope Director Tomi continues to pursue this kind of work. Even in the second half, the careful psychological depiction and the detailed styling of clothes and lingerie are impressive. It might be an artistic work in a sense, as it makes you feel throughout that eroticism isn't just about showing naked bodies or intense sex scenes. I personally wish there were a few more wide shots, but... it's a truly wonderful piece.
Ito-san is a mature woman. She fits the role of a married woman perfectly. The plot is about her being stolen by her boss, which is a common trope and nothing special. Her figure is great, and her breasts are so beautiful it's almost unbearable—truly 'beautiful breasts' in every sense. I'm frustrated that the director seems to prefer scenes with clothes on, so I barely got to see them. She gets caught by her husband at the end, but it's disappointing that we don't get a steamy scene in the bathroom. This studio always ends things like this.