Titose HaraMinako KirisimaAki, a widow living with her son, is hosting her late husband's third memorial service. Her brother-in-law finds himself obsessed with her newfound, sultry aura in her mourning attire. Once the ceremony ends, their suppressed desires explode into a scandalous encounter.
*Perfect until the mosaic comes out. However, as soon as the entanglement started, it became a mosaic. Most of these directors want to put in mosaics right away. Regulations have become stricter these days. The battle is until the mosaic appears. I don't understand eroticism at all.
The usual FA regulars: the stamina-filled bald guy and the old man. They appear in other works too; I don't like them, but the bald guy fits the role. For some reason, there's no scene with Ozawa-san in the FA lineup. I wish the second partner had been the deep-kissing expert Ozawa-san. FA has solid stories and good camerawork, but it's a shame they're short films. I don't need extras; I want three long sex scenes. I want to see more erotic blowjobs, and maybe it's a stylistic choice, but there are too few positions. Mourning dress themes have always been a popular series, but the idea of defiling a beautiful widow in front of a funeral portrait is something men find irresistible. It's common in French Shoin works too. With studios like Atta, Madonna, or FA, Hara-san's eroticism really shines. In a market flooded with low-effort projects that just film people doing it in a bright room, this is a well-crafted piece. Each episode is intense, but I wish there had been a few more erotic positions.
*The first actor was good, but the second actor, Kurihara, was the same in porn movies. I'm not good at kissing...I have a short tongue...I hate kissing... Actors that kiss lovers hate...
True to the subtitle, Chitose Hara looks strangely erotic in her mourning clothes. Nagae-style productions seem to elevate the acting skills of AV actresses. She captures the essence of a widow perfectly, balancing her inner carnal ache with a sense of guilt toward her late husband's portrait and her son upstairs. She expresses her suppressed desires quite explicitly. The masturbation scene in the bathroom after her affair with her brother-in-law—touching her breasts and fingers wandering between her legs beside the running shower—is incredibly erotic. When pressured by her late husband's boss, she initially resists, but after being commanded to 'stick out your tongue' and 'put it in, do it right in front of your husband's portrait,' she can no longer suppress her desire and begins grinding on top of him. The bonus feature, Minako Kirishima's 'Wife with her Husband's Younger Brother,' is also worth watching for the dynamic, raw, and primal interaction.
