
After 20 years of marriage, a husband discovers his wife's infidelity and develops a twisted NTR fetish. To satisfy his urges, he invites his single subordinate to move in and forces his wife to submit to him. Though she initially resists, the husband's constant pressure finally breaks her will. Now, she finds herself being ravished by the subordinate right in front of her husband, experiencing a level of sexual intensity she never knew existed.




















You absolutely shouldn't let your precious wife get intimate with some guy younger than you who's better equipped. Since the lead is usually an NTR actor, he played the cuckold role in a very hesitant, indecisive way. Honestly, though, I found the bonus footage more exciting.
It was good up until the middle, but it's a shame that the wife started treating her husband so coldly towards the end. The whole point of this trope is the tension of her loving her husband while her body craves someone else.
A Nagae-style production that is insanely arousing. The Ichimatsu segments were particularly excellent; she's portrayed as a very charming housewife, and Tony Ooki plays his part perfectly. It's ironic and fun to see Ozawa—who has stolen so many wives in his roles—end up in the pathetic position of being the cuckold. After letting his subordinate Tony take his wife, she ends up loving it so much that they continue the cuckolding at home. Tony takes full advantage of the condition that Ozawa must act like he's not there. Ichimatsu's performance, showing how she's seduced not just physically but emotionally by Tony's compliments on her cooking, was great. Watching her go from being shy about her husband's presence to completely ignoring him in pursuit of her own pleasure was fascinating. The misery of Ozawa ejaculating after watching his wife in the living room, only to head to the bathroom with his pants down and witness her getting creampied, is just perfectly pathetic. If I had to nitpick, the scene with the black lingerie and sex toys wasn't really my thing. I would have preferred if they had focused more on the intense bedroom scenes rather than just Ozawa's voyeurism.
The actress is just too noisy with all the 'ah-ah' sounds. I can't tell if she's actually enjoying it or what, but she just keeps making those noises from start to finish, so it's hard to get into it.
This is a great piece, the best Nagae work in a while. It has a raw, lived-in feel and a realistic sense of presence that I really like. If I had one wish, I'd prefer more of the main story rather than bonus footage. Maybe it's just how AVs are made, but the ending feels a bit incomplete.