
My husband has been bedridden with terminal cancer for two years. Seeing him wither away, the man who lived for his work, was agonizing. Just then, his rival from work showed up at our house and started making his move.




















I think my expectations for Nene Sakura were just too high. It was neither good nor bad. Contrary to what others have said, I personally found it to be a mediocre work.
Despite being so young, 'Nene Sakura' radiates incredible sex appeal... Putting on glasses only amplifies it, unleashing her full adult pheromones! The only guy she's with is a bald middle-aged man; I've never seen an actor like that, so maybe he's the director? If so, that's definitely a director's privilege... Regardless, she's such a gorgeous woman, that Nene. Beautiful long hair, gentle features, a luscious, top-tier body, H-cup marshmallow breasts, and a firm, beautiful butt... She's perfect! However, I think Nene is better suited to being the aggressor rather than the one being taken. Just watch her nympho-style play and you'll understand... She must be a natural-born pervert.
The husband (Johnny Okamoto) and Nene Sakura were a workplace couple. The husband was a rising star but ended up bedridden at home due to cancer. Goto (Charas Yoshimura), a former boss who was pushed out by his subordinates, brings him a project he had always wanted to work on. Goto's ulterior motive was to sleep with the wife (Nene Sakura) as a condition for the husband's participation. The husband found a new lease on life through the work, but the wife eventually falls completely for Goto, who visits frequently. Nene Sakura is beautiful with a great chest and body, but as an AV actress, she's just average. I didn't feel the urge to watch any of her other works.
The sense of immorality in having sex while wearing mourning clothes at the funeral of my sickly husband who just passed away was incredibly arousing.
If you're a fan, I think you'll be satisfied with this work. It's also a good choice for those who enjoy this type of drama.