NSPS-811 - The New Wifely Dutch Wife, Yui Hatano

It's been so long since I've watched Hatano-san that I can't even remember when the last time was. One thing that bothered me in this work was that in the chapter with two men, she seemed to surrender herself relatively easily. For example, when it starts, Yui says, 'I can't, not in front of my husband,' and the husband urges her on, saying, 'It's all for you.' When Yui says, 'But...', one of the men whispers in her ear, out of the husband's hearing, 'We'll chase your husband away for you.' Yui says, 'Huh?' and looks at her husband, but he's still turned away. Then the scene starts, and as the men's words, Yui's growing moans, and the lewd sounds reach a climax, the husband, unable to bear the agony, leaves the room. Yui doesn't notice. Outside the door, the husband stands, frustrated. One of the men tells the dazed, post-climax Yui that her husband has left. She looks toward him as if coming to her senses, but he's already gone. She lies back down and asks, 'Um...' The man replies, 'Yes, ma'am?' She asks, 'We still have... time, right?' The man says, 'We sure do,' and they both devour her body again. The husband continues to suffer outside the door... I think that kind of development would have been good. Also, because they tried to capture the husband's expression while showing the act, the camera was often too far away and for too long, meaning the important parts were mostly just mosaics. They should have captured the husband's expressions at key moments but shown the act itself more clearly. They focused too much on the husband's face, so you couldn't even feel any change. In the next chapter, one man handles Yui; she goes to the bedroom before him and lies down naked. The husband tries to stop the man from bragging about his equipment, but Yui stays silent. The ending, where she gets a facial and stays dazed in the afterglow, ignoring her frustrated husband to go take a bath, is classic Nagae-style direction—very stable. The 'strength of a woman' in the ending is also standard.

*Her acting skills have improved, and the way she gets fucked is cute and perfect. As a Yui-chan fan, there weren't many people who treated her as a sex doll. We need to be able to stand out from the crowd more. Next time, I'd like more people to come and dirty Yui-chan with their big cocks.

*The sexual awakening of an older couple who falls into disarray after their frustrated young wife cheats on them. For a star starring Yui Hatano, the world's leading actress, she gives a quiet impression without any violent or eccentric accusations, but it is a masterpiece with a sense of spiritual immorality and a sense of disgust.

First off, the protagonist being an old man with such a young wife is a classic AV trope. (Especially since she's not just young, but a total stunner with a great body.) I guess if he's super wealthy, it's somewhat plausible... It's also weird that he lets two guys take his wife in the tatami room while he sits in the next room covering his ears. (If you don't want to see or hear it, why even be in the next room?) As for the bed scenes, the older actor is someone you see often, but he gets hard and has a powerful ejaculation, so it's good. Seriously, this guy is amazing! The downside is that Nagae Style is a bit pricier than other labels (and short for the price). But man, Hatano-chan is a great woman.

I like Hatano and this series, but this is so tame and light. The plot is about an older husband whose young wife, Hatano, cheated on him, so he takes her to an 'NTR house' to let other guys have her. There's an abnormally long wide shot of Hatano being taken while the husband covers his face in the background. Even for an NTR fan, this is boring. For this studio, the guys' performances are too plain, and Hatano doesn't have her usual edge; she just looks like she's posing to look pretty. She doesn't even resist at all, so the NTR vibe is weak. It's filtered and blurry the whole time like an idol image video. This studio used to be known for sticky, intense scenes where you could almost smell the saliva, but this is soft and disappointing, like an early work for an idol actress. It's like the agency told them, 'Don't be too rough with our Hatano, just film her beautifully.' Since both the studio and Hatano are great in other works, the director must be the problem.