
Mao, a young wife, lives with her husband Toru, who is 20 years her senior. His intense love has turned into suffocating obsession, including constant phone calls, a ban on going out, and even surveillance cameras in their home. When the kitchen drain breaks and a repairman is called, everything changes.




















It's truly an abnormal level of possessiveness, but 100% surveillance is impossible, right? This story follows Mrs. Mao, who calls a repairman to fix a clogged sink and ends up finding the liberation she craved from her husband's control. The plot develops into the repairman fixing not just the sink, but also Mrs. Mao's 'sexual blockage.' The possessive husband installs several security cameras at home and monitors them on his phone while at work, but he ends up seeing his wife's lewd behavior as she finds ways to bypass the cameras. I wonder... in a way, you could say the husband's jealousy-driven paranoia was spot on.
Ozawa-san gave a great performance as the jealous husband. If I were the husband, I’d totally understand how he feels. I just wish the partner had been a young, handsome guy (like Uchimura-san). I felt Mao-chan did a great job portraying the hidden desires she keeps inside while trying to maintain appearances. I look forward to more NTR works with maximum jealousy.
*I think it's good that they're trying to develop new storylines, but in conclusion, I don't think they've been very successful. With this drama setting, not only Mao-chan, the performer, but also the viewers, were irritated by Mr. Ozawa, who played the husband, and could not concentrate on the story. Another negative point is that the phone rings while they're dating, and the things she talks about with her husband while they're dating are so trivial that the obsceneness of the relationship is greatly diminished. It was good that he ignored the last phone call and got involved, but I get annoyed that Mr. Ozawa makes too many calls. Mao-chan and Mr. Yoshimura were also involved in the previous Nagae work as the boss and the wife of his subordinate, and although it is a good relationship, it is a shame.
*As expected from director Nagae. The preparation of the story is as careful as ever. Charas appears and here we go! Even after thinking that, I keep pulling. Even in his second appearance, he just repairs the water pipe and tries to go home, so it's still not there yet! ? Just when I thought about it, I never expected it to start like that! ? As Mao Kurata becomes a mature woman, she loses some of her fat and has an attractive body. I'm excited to feel like I'm being drawn into Charas' pace. Charas also has a great relationship. The pattern of enjoying piston and blowjob alternately is still alive and well. You can freely take Mao Kurata off the bed and put her in a standing position. The final flank shot. The amount of sperm is not high! Next is a play avoiding the camera set up by Ozawa. In the hallway, I was fully clothed and couldn't make out the joints, so I was worried that this would be the end, but I was relieved when I moved to bed. A fulfilling shot on the belly due to Charas' wonderful sticky entanglement. I was also satisfied with the story.