
22 years after rocking the Asakusa stage, legendary stripper Reiko Makihara returns to celebrate her 50th birthday! Breaking her long retirement, she steps back into the spotlight for a one-night-only, raw and intimate comeback performance. Witness the timeless, mature allure of a true icon as she delivers an unforgettable show that defies her age.










Makihara Reiko-sama is at her most beautiful during the striptease scene. And she's so erotic. That alone was enough to satisfy me. Personally, I feel like I could've watched her perform striptease on stage for two hours straight, just changing up the costumes and dance routines.
As a drama, it's mediocre and lacks excitement. There's a bit of stripping by Reiko-san in the middle, but it's just a tease. However, I was mesmerized by the striptease on stage starting at the 2-hour 11-minute mark. Her body is flexible, her legs are perfectly straight, and the full splitsโthe last 15 minutes were fantastic. Instead of a drama, I wish they had just filmed a multi-part stage show with an audience to show more of her stripping. I truly believe she's the legendary stripper Reiko Makihara now.
The production's intentionโthat fans of Reiko-san would buy it without questionโwas painfully obvious, but I fell for it and bought it anyway. As a fan, I felt like I got a glimpse into her past, so I'm somewhat satisfied, but it lacked excitement and the overall structure was mediocre. If they were going to do this, they should have rented a real strip club and filmed it live with an audience. Please do that for her 60th birthday edition.
If they were going to make it, they should have had director Kitorune Kawaguchi shoot it as part of the 'Mother Dancing at a Strip Theater' series; it feels too abrupt. Two men pick a fight after seeing Makihara return to the stage, and she ends up taking off her underwear to expose herself. The older guy gets excited and demands a 'cutting board show,' and even though the manager tries to stop them, Makihara says 'I'll do it' and performs a 3P on stage. The underling backs off after fellatio, but the older guy makes her climax with fingering and cunnilingus, then penetrates her to make her climax again. That's the highlight, and the rest is just two scenes with her son. The final 20 minutes are just Makihara's stage performance where she takes off her underwear and shows her pubic hair, but there's no finger-play or 'tengu' show. It feels like a reward for her long-time contribution to Madonna. Or maybe they just gave in to her stubbornness about not wanting to do the 'Mother Dancing at a Theater' series. Either way, it was a disappointing work for AV fans.
It's technically a drama, but after the initial scene where she's violated by her son, there's almost no story left. Her son opposes her return to stripping and vents all his emotions, yet she just goes back to it as if nothing happened. Also, the 'solution' to the lack of customers is the 'return of a legendary stripper,' but then they start in a 'small theater'? That feels off. It ends happily with her getting a spot at a big theater, but for a 'legendary stripper,' the progression feels weird. There are only three sex scenes, and they all feel like slow, gentle sex, as if they're being considerate of Reiko-san's fatigue. Maybe that's unavoidable. It's 150 minutes long, but with the striptease scenes taking up so much time (over 40 minutes total), it feels lacking as an AV. Reiko-san's striptease is beautiful, but since that's the priority, it feels more like a commemorative piece with low 'fap' value.