
ใใใใใๅฃใโใณใใกโใฝใใบใใใชๅฅใใฆใ่ใใฆใ็ฒพๅญใๆพใๅใใใใฎใณใฎใณใฎใกโใฝใใใฃใจใ่ฆใคใใใธใฅใซใธใฅใซ้ณใ็ซใฆใชใใๆฅตไธใฎๅใใกโใฝใๅณใใใใๅฃใซใโใใ็ชใฃ่พผใพใใใ ใใงใโใณใใฌใใๆใใฆใใพใๅฅณใใฎใณใฎใณใซๅ่ตทใใ้็ใโใใๅฐใฃใใใญใ้ใใพใใใใใผใใๅใๅฐฟ้ใซๅธใไปใใๅฐฟ้ใใใใตใๅบใใใญใ ใๆฑใใใผใใๅใในใใญใผใฎใใใซใธใฅใซใธใฅใซใจ้ณใ็ซใฆใฆๅธใ่พผใใงใใใใโใใๆใใใโใใๅฐใใงใ้ทใใใใถใฃใฆใใใใ็ๅฐบๅคงๅฅฝใใใงใฉใใชใใฏใใทใฃใณ22ไบบใ










*It was a best-of version of the work, and it was a work that cut out only the sticky parts from various works. Hibiki Otsuki's was very nostalgic and familiar to me. Only 3 or 4 of the 22 people thought it was good. I think it's a very practical piece of work.