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It feels like Nana Aoyama's prime has passed. She has a cute, laid-back face and an exceptionally large bust that draws you in. Personally, I don't really get why she's smiling while being bullied. I felt this in her previous works too, but her charm lies in her body and her breasts; she lacks the appeal needed for a submissive role. In this film, she feels more like a sweet little sister. It's like she's acting reluctant but isn't, or like she likes it but doesn't—it's all a bit unbalanced.
Nana Aoyama is a wonderful actress with an I-cup bust and a charming smile, but having bought and watched every release from this studio this year, I have to say it: the content and chapter structures are completely formulaic, just changing the title. This film follows the classic tropes like paizuri and breast slapping, but the sex scenes are bland and repetitive, and the male actor is lackluster. I also hate that there's an unnecessary interview before every chapter. It fails to capture Nana Aoyama's true appeal. She was at her best when she worked with M-studio.
Packed with breast-focused play like paizuri, fellatio, and breast slapping, this is a must-watch for any breast lover. Nana Aoyama has such a cute, laid-back, healing vibe that it makes you want to just sink your teeth into her breasts.