PRED-388 - Three days of unbridled passion with my childhood friend right before her wedding

朝霧監督・ハジメ君コンビ、山岸さんの作品で悪くなかった。ホントいい女優さんだった。

「ねえハジメ、やんない、セックス。」「結婚したらできなくなるから。」「これがラストチャンスなわけ。」 「人生ってさ、選ばなかった選択肢の方が多いんだよ。」「どうせ後悔するの。しても、しなくても。」 「お願い、今日だけ。」３日後に結婚する逢花は、幼なじみのハジメに思いを告げる。 ハジメは逢花への愛を隠せないことに気づき、逢花の言葉に応えるようにキス。 幼い頃から知っている幼なじみの二人は、恥じらいながらもお互いに一つ一つを確かめ合うように愛撫していき、結ばれる。 ハジメは本当に好きだった逢花と初めてのセックス。そのため逢花への熱い思に興奮が高まり約３分で発射。 それでも心がつながった二人は、キスを重ね愛撫を続けて再度結ばれる。 ゆっくり、ていねいに、体位を変えながら愛を確かめ合います。そして、次の日も、その次の日も。 青春の時を心のどこかにとどめておくために、本物の愛を確かめて、新しい愛へ向かう大人のドラマです。 逢花さんは笑顔がステキで、感じていく表情はエロカワイイです。

*Will a woman sublimate her memories of the man she loves and be embraced by the next man, while a man will drag away his memories of the woman he loves? Aika Yamagishi in this work is cute and beautiful without being a mature woman or a slut. At the same time, with his outstanding acting ability, he perfectly portrays the world of crying and jerking off by a rare and famous director. The lines in the work are all excellent. Hajime looks at them and stays silent, and Aika replies, ``Don't you have anything else to say?'' ``Congratulations on your marriage?!'' Hajime kisses her with a click of her tongue and goes home. While hinting that Hajime was the one who wanted to give the chocolates to Hajime when they were students, Aika presses him, saying, ``Let's have sex because I want to, because it's the last time.'' ``There are more choices in life that you didn't choose. Don't regret it anyway. Please, just for today.'' Her parents go on a trip to a hot spring, but Aika stays behind, pretending it's because of some errands. When Hajime asks Aika why he is at home, Aika says, "I have business to do with you." At the dinner party, Aika's father drunkenly tells Hajime, ``I thought Hajime was going to give me his daughter,'' whether he sees it or not. When Hajime talks about an episode in their school days where Aika slapped him for kissing him, Aika reveals that the slap was ``because I didn't say I liked you,'' and when Hajime says, ``I've always loved you,'' Aika angrily says, ``It's too late.'' In addition to the dialogue, the scene settings are also excellent. After having sex, Aika pretends to sleep on Hajime's bed with a relieved expression. After having sex, the two of them walk along the same road where they rode their bicycles when they were students, and on the roof of the same building where Hajime kissed and Aika slapped him when they were students, they kiss in the same way, but this time they hold hands and look at Mt. Fuji. Hajime told Hajime to give her a proper compliment as the dress was delivered, and praised the naked silhouette of Aika as she opened the curtains and turned around, saying that she was beautiful (while still naked), but Hajime did not praise Aika when she was wearing the actual dress. With Aika Yamagishi's cute and beautiful figure, this work literally depicts three days of beautiful and fleeting pure love sex, and I can confidently say that this work is one of the best works of Jo Asagiri's work.

It was the kind of lovey-dovey sex I like, but all three main scenes felt repetitive, just with different finishes. It feels real, but sticking to the same bed every time is a bit underwhelming—the production team could've been more creative. Still, both gave great performances and made a cute couple. Yamagishi-san is stunning.

It’s a heartbreaking story. Everyone, including the actress, acted so well that I was immersed in the plot, not just the sex scenes. They want to be together but can't. It’s like they’re resisting the inevitable, desperately trying to change things for just this moment as they get intimate. The scenes of them walking together and talking about the past in their uniforms were great. I would have liked to see them get intimate in the uniforms too, but I suppose it was difficult given the runtime. I thought it was a fascinating piece.