PRED-808 - Woke up to find a woman, my boss, in her underwear next to me…! She's usually condescending and authoritative, but now she's approaching me with a lewd gaze… Could it be… did I sleep with her!? The size compatibility is too good, and she's asking for an affair the morning after a weekend drinking party, Yamagishi Ayaka.

Ayaka Yamagishi playing a female boss? Absolutely incredible! That hardcore blowjob scene right at the beginning? Lives up to the hype. She relentlessly attacks the guy, gets him all worked up, then switches to being submissive when he's peaking, and repeats the cycle. Ayaka Yamagishi's aggressive side is just… *chef's kiss*.

Even trying to spice up the story feels limited. The gameplay itself lacks innovation. They really need to lean into SM stuff. Nipple twisting is just the starting point – think drill vibes, tight restraints, whips, candle play, anal, fist play… you get the idea.

This is about a strict female boss who unexpectedly reveals her perverted, sex-loving side. It's a piece where you can completely immerse yourself in Yamakawa Ayaka's acting and cuteness. The way she says she wants to take her junior's, but can't, and then secretly enjoys his slightly forceful penetration was incredible. The second round right after the first one. The sex on the sofa. That was also full of playful affection, and Yamakawa Ayaka is just so good and cute when she plays those kinds of scenes. She's retiring this year… It's been a while since I've seen her work, and her face isn't particularly beautiful, and her breasts aren't large. But her skin is chewy and addictive, her transparency is still there, and her moderately fleshy body is truly erotic. From the initial line, 'Are you horny?', the seduction begins. Her drunken, adorable slurred speech and boldness really showcase her acting skills. Yamakawa Ayaka, saying 'No, no' while still letting him in… she's undoubtedly one of the greatest actresses I'll always remember.

Ayaka Yamagishi was fantastic as the boss, with her intoxicating allure when drunk and her incredible performance of being completely obsessed with the junior employee's cock. However, the actor playing the junior employee came across as very calm from the start, and I felt a disconnect with the plot of him impulsively making a move on his boss while drunk, then becoming distant and forgetting everything in the morning. This work was carefully crafted beyond just the sex scenes, which makes that aspect even more disappointing. Finally, kudos to the cast and crew for filming in such windy conditions.

Ayaka Yamagishi's new release. Only a few more titles until her final work. The story revolves around a boss, Ayaka, and a young employee on a business trip who end up at a love hotel after forgetting to book a regular hotel, and gradually develop a good relationship amidst some awkward encounters fueled by alcohol. The chemistry in the sex scenes is insane... but honestly, even with the alcohol involved, the way the young employee so readily jumps into a half-forced sexual encounter feels a bit rushed and unconvincing. I've often offered constructive criticism in my reviews, hoping it might influence future works (though I know it's presumptuous), but now that new projects aren't happening, it just feels like empty complaints, which is a bit sad. Isn't the dynamic between an older female boss and a younger male employee *exactly* the same as her previous work? Sure, the setting, plot, and artistic style are different, but why does she keep revisiting this same type of story? I feel like this has been happening quite a bit, especially since her name change (or even before). The word that comes to mind is 'stale'. I haven't actually checked the sales figures, so apologies if I'm wrong, but I don't recall seeing her solo works consistently topping the charts. She has a dedicated fanbase, but did her previous work really appeal to a wider AV audience? It's always the same people writing the reviews (sorry, I love you all!). As for the cover art, it captures Ayaka's alluring charm, but it also feels a bit bland, and the title is way too long to understand what they're trying to promote. Ayaka is putting her all into the work as always, but I wonder if she's lost sync with the laziness (sorry!) of the production side. It's just a guess, but her decision to pursue a new path feels understandable. It seems like she's already moved on from making these films, and the complete lack of self-promotion upon release is a bit disheartening. There are a few more titles to come, but personally, I'm still waiting for something that can top the impact of 'M-kun's Home Delivery' from 2021 (just my opinion, of course).