RBD-175 - The Neighbor's Forbidden Temptation 2

*Who does she look like now? Mai Tsubasa? The slightly garish feel was perfect for me.

It was on a limited-time sale, so I bought it based solely on the sexy cover photo, and it was a huge hit. Yuna Mizumoto is not only a sexy actress, but her pained expressions and moans are truly superb. She's on a different level from the shallow, young actresses who are just 'cute.' I'll definitely look for her other works when I get the chance.

This was the first AV I ever watched. I was originally watching it for Yuna Mizumoto, but Jitta Hanaoka left a much stronger impression on me. I couldn't believe such a sex god existed. Seeing Yuna get targeted by him and end up completely obsessed rather than trying to escape felt incredibly fresh at the time.

I wonder if he'll show up again in the future. The story is a total mess. Is Yuna cute? I think 'Ana-Yuru' depends not just on the actress's performance, but on how much passion the actor brings to the table. I want to see an actor who isn't just forceful, but truly determined to make her finish.

Released in 2009, the video has been remastered in HD, significantly improving the quality. As expected, we get director Nagira's signature natural lighting! However, this is different from other entries in the 'Forgive me, dear...' series. The series usually hinges on the process of a housewife, raped by a neighbor, becoming captivated by the man and slowly drowning in sex; that developmental arc is essential. Director Nagira surely knows this, yet this film is surprisingly understated. Yuuna-san remains silent while being held by Jitta-san, with his lines like 'Doesn't it feel good to be held by me?' taking center stage. Since Yuuna-san was talkative in the opening scene with her husband, this was clearly a conscious choice by the director. However, if you watch closely, there are three scenes where Yuuna-san is held by Jitta-san, and you can see the lighting shift from dark to bright. Also, while the first time ends in a facial, she allows internal ejaculation the second time, and by the third, she lets out a cry of 'I'm coming!' In short, the descent into lust is expressed purely through visuals. Using lighting to depict the transition from reluctant sex to pleasurable sex? Well played, Director Nagira! Furthermore, the absence of Nagira's usual staples—kitchen oral and shower sex—seems intentional. Having seen the Hanaoka × Mizumoto duo repeat scenes of violation in 'I want to be ravished in front of my husband,' it seems they decided to cut the fluff to pursue that specific aesthetic of erotic beauty. To make Nagira-san feel that way, these two are truly formidable. Also, this film ignores the moral guilt of the affair to focus entirely on the pleasure of sex. In the final scene, the husband returns home at night, puzzled by his wife's absence. In the next room, in the darkness, Yuuna-san is writhing, violently moving her hips up and down in the cowgirl position! It's rare to see this level of detail in the series. In a way, this is a daring challenge from Hanaoka Jitta and Mizumoto Yuuna, fully prepared for viewer criticism.