
My name is Mizuki Asakura. I was a rising star at a top-tier perfume house in Paris, but after being scouted back to Japan, my life took a dark turn. Little did I know, this prestigious new job was just a trap leading me straight into a life of total submission.












This is my first time seeing this series, and since it stopped at 6 standalone releases, I guess it didn't sell well. The ratings are low, but I downloaded it because of Yuuna Mizumoto; it's definitely a boring piece of work. The anal sex is clearly fake. If Yuuna's anal were actually 'unlocked,' that alone would be a standalone release. The 3000Kbps high-quality video is nice, but unless you're on a subscription service, it's not worth renting. Giving it a 4, including a 2-point bonus.
The 'Slave Island' lesbian version of the slave castle. But after complaining about it being nothing but strap-on play, they've even reduced that and it's just sex with men now. Where did the lesbian 'Slave Island' go? By the way, the sex with men isn't shot from an exciting angle; it's all about making it look like they're being forced by the men under the supervision of a female manager. The men are supposed to be cumming inside, but the way they hold the condom when pulling out just proves it's fake. I rented 2, 4, and 5 at once, and I feel like I wasted money on three discs.
I only liked the scene with the masked man doing 'sundome' (teasing right before the finish), specifically the part where she says, 'Oh, sundome again~.' I wish a masked man who loves sundome would show up.
While the production team's poor direction and weak script are certainly factors, I think the problem lies with Yuna Mizumoto herself. She has a long career and is practically a veteran now, yet her acting hasn't evolved at all. Her moaning is just a monotonous 'ah, ah,' and her lines are delivered like she's reading from a script. Even her climax lines—'Master, I'm coming, I'm coming'—sound so forced. Whether the sex is real or simulated doesn't matter; she should know what the audience wants, yet there's no effort to vary her moans or movements to make the performance more engaging. She actually seemed fresher and better at acting back when she was in rental-style productions.
Yuna Mizumoto is truly magnificent. The texture of her beautiful body is great, and she has a unique charm where her masochistic side shines with sexiness. Just being able to watch her being slowly tormented makes this worth as much as Chapter 6 of 'New Slave Island'. However, no matter how degrading the role, Yuna never feels like she's actually falling. Whether it's anal or enema, it feels like her soul remains untouched; in short, there's no scent of raw passion. In that sense, she might be a difficult actress to work with. She's incredibly skilled, yet no matter how hardcore the scene, she remains as clean as a doll. I don't mind if the play is simulated. Since this is a story-driven work, I want to see a script that meticulously breaks down her mental state and shows her descent. This work attempts that, but it still feels a bit unrefined and lacking something.