
Miyu, the office sweetheart, quits to marry a client. Six months later, she begs the boss for her old job back, only to find herself being broken in all over again.












*I thought it would be a continuous rape thing, but that's not the case. There are a lot of actors involved, but there are also quite a few ordinary ones. If you try to watch it as a rape story, it might feel a little lacking, but the actress is slender and cute, which is quite nice.
It might be due to the actress's character, but the progression feels almost comical. The psychological aspects, such as the anguish of being reduced to a sex toy for male employees or the conflict regarding her husband, are not depicted. This is not for those who want to see a serious drama about a woman's mental and physical degradation. The masked group play is also questionable. Each sex scene is edited to be relatively short, which is a characteristic that makes it generally lacking in practical appeal.
Miyu Misaki, who rarely does creampies, gets filled in various positionsโit's top-tier. The final orgy scene with the mask is the highlight. Even in the final scene with the manager, the way the semen overflows is incredible. This series, which always features a creampie, is a hidden gem. The 180-minute runtime, double the usual, really adds to the scale of the production. If I had to pick a flaw, it's that the story is a bit hard to follow. I think this is the best entry in the series so far, and I'm looking forward to future releases.
After watching 'Ravished in Front of My Husband,' I thought Miyu Misaki wasn't really suited for portraying masochism. It felt that way for the first half of this film too, but seeing her essentially 'naughty' nature gradually come to light was quite good. The story feels a bit disjointed, but the ending, which could be called a happy ending, is very fitting for her natural personality. It was refreshing. I think the script understands the character well rather than just focusing on the plot.
There's no solid, coherent story where the training progresses logically, so it's a bit exhausting having to fill in the gaps yourself while watching. Scenes are choppy, and the narrative relies too heavily on text overlaysโwhich are often off-base anyway. It feels disjointed; she's being trained by her boss, then suddenly becomes a dominatrix for the company president, or her husband suddenly forces her to have sex with the apartment manager. It's likely because the filming order didn't match the sequence of the story, but they should at least make the transitions flow. That said, is it a bad film? Actually, it's pretty good. The variety of sex acts is impressive, and it feels packed with action from start to finish. There are more 'release' points than in the previous installment, and Misaki Miyu's tongue and hip movements are quite captivating.