
The man who moved in next door turns out to be the owner of a restaurant Kyoko used to frequent. Hearing his sob story about losing his wife and being drowning in debt, Kyoko can't help but sympathize. Unable to refuse his desperate pleas, she ends up crossing the line...












Kyoko Ono, 36 at the time, is quite the beautiful mature woman with a fresh, stunning body. In the first rape scene, the way she looks reluctant but barely resists and just lets it happen is exactly my type. Later, the so-called 'OK sign'—opening the door knowing what's coming—was also a turn-on. Her reactions could be a bit better, but I think a 2-star rating is way too low.
There's almost no dialogue in the second half. It's just an excessive amount of oral and intercourse.
This is only the second time I've left such a harsh review. If the production staff of the 'Anata Yurushite' (Forgive Me) series ever sees this, I hope they reflect on it. Fans expecting NTR stories can be satisfied with the 'Ravished in front of my husband' series, because it features the ultimate NTR setup: sex performed for the husband to watch. But the 'Anata Yurushite' series is supposed to be an affair story; a failed affair story where you don't even see the characters hitting it off is just a run-of-the-mill dirty video. It doesn't need a title like that—'Widower Rape' would be enough. 'Forgive me?' What a waste. Why not think of a setup that makes them bond over hobbies or circumstances before leading them into date rape? The affair doesn't have to be dramatic, it can be cliché, but the process of leading into the affair and the matching must at least be depicted sensually. To put it extremely, I don't care if the actress is ugly or a mature woman.
I can overlook the awkward lines, but she's literally laughing from the moment the guy pushes her down. What a letdown. Is she not even trying to take this seriously? Don't give someone like this a dramatic role; it's a problem that goes beyond just acting skills.
I used to be a big fan of Ono-san back in the day. I was worried because I've never seen a 'comeback' actress who was actually good, but I trusted the director and the project, so I bought it. My fears were confirmed—Ono-san was a total miss. She still has the remnants of her former beauty, but there's no allure; she's just aged, and unfortunately, not very gracefully. When she was a young idol, her clumsy acting was 'cute,' but in this work, her acting and lines are just cringeworthy, which is fatal. If you're thinking of buying this, you'd have a much better time watching 'Anata, Yurushite... - Otoko Yamome no Blues' instead.