Hirono ImaiAfter my business failed and my wife left me, I ended up drowning in debt and hiding out at my parents' place in the countryside. Seeing my younger brother, a successful university professor, with his beautiful young wife makes me sick with envy. I've got nothing left to lose, so I've decided to make his wife my own little toy behind his back.
I think this is the most fitting role she's ever played. She's seriously cute.
A beastly man forcing himself on his stepsister wouldn't bother pulling out to ejaculate externally. I mean, I don't mind if he uses a condom, but in a rape scenario, ejaculating on the thighs makes no sense. The acting—constantly changing positions, forced penetration, and her resistance—was great, but the ending just doesn't fit the situation. They should have gone with internal ejaculation, even if it was simulated. I usually don't watch rape scenarios because I feel bad for the girl, but little, cute Hirono-chan is great even in this genre.
*A story about a desperate older brother who rapes his younger brother's wife by hiding from him. The story itself is simple, but the acting of the heroine, Imai, is surprisingly good, and Ryuichi Saito, who plays the older brother, is also really good when he plays such a persistent role. The relationship between the couple is just a touch, and it's not too long and is handled well. Lately, there has been a strong tendency to use machines and make people squirt, but I liked how the portrayal of the gradual psychological use of the characters was refreshing and refreshing. However, if the story of the couple's child is brought up over and over again, it would have been fine to have Imai become pregnant and suggest that Saito is the father, or it could have been a story where Imai becomes Saito's sex slave while her husband is away.
The brother-in-law is relentlessly humiliating his younger brother's wife. Watching Imai, with her loli-face, desperately trying to endure it is irresistible. I'd love to play a game of 'humiliation hide-and-seek' with a woman like that.
Recent Attackers releases just feel like stuff I've seen before; they really lack freshness. 'Ravished in front of my husband,' 'Forgive me...', and 'Slave-colored...' are special because they've established the ultimate level of mannerism. That's the achievement of directors Nagira and Kawamura. Their other works are clearly suffering from a 'lack of ideas' lately. Get it together, Attackers.
