
Shizuka accidentally witnesses her neighbor Okamura's wife leaving him. While trying to comfort the heartbroken man, she gets swept away by a sudden kiss. When she visits him again under the guise of a moving-out greeting, her pity turns into something much more intense, leading to a forbidden affair.












Reika Azumi, 36 at the time, is a beautiful mature woman with a seductive aura, and her well-shaped breasts look delicious. I was aroused by her feeble resistance when she was first attacked by Hanaoka. Once she was broken by her first rape—feeling pleasure from oral sex and all—the rest was easy. Her husband seems like a handsome and kind guy, but perhaps Hanaoka's rough approach was just too much for her to resist. The ending where she walks into Hanaoka's room with a smile was also great.
The packaging is good, and the story is fine. The sex scenes weren't bad either. However, as things progress, the actress's nose keeps turning red, which is really distracting. Or rather, it just kills the mood. Also, her blatant attitude after seeing her husband off at the end was so trashy that it really turned me off.
This actress is definitely a hit-or-miss. No matter how I look at her, she just looks like an older version of Jun Komori. Plus, she lacks a sense of cleanliness. The content of the work is actually good, but I just can't bring myself to watch it because of her.
She has that sharp, strong-willed look that's very 'in' these days. Watching a woman like that slowly get consumed by a man's desires is something else. Once that suppressed craving for sex ignites, there's no stopping it. Reika Azumi is a memorable actress. How about a role where she plays a teacher who turns a student into a sex slave, only to be toyed with by that student's friend in the end, and forced to lick the student's mother's privates while being teased?
Reika Azumi responds perfectly to Jitta's passionate performance. The two actors' intense erotic acting really shines. As usual, it's the setup where a man who lost his job and was left by his wife forces himself on her using pity as bait. The first scene of the assault is the same as always, but Azumi's expression—resisting while her body reacts to Jitta's massive member—is great. In the second scene, she starts by resisting but eventually accepts him with her heart, her body completely intoxicated and driven wild by him. In the third scene, she goes to his room on her own, and their intense lust unfolds. Every scene has variations in expression and interaction, so I watched it to the end without getting bored. The camerawork captures the point of connection from every angle. Azumi's voluptuous hips glisten with fluids. Jitta's thrusting performance has a sense of realism that no other actor could pull off. I'm nominating this for this year's Academy Awards.