
Kaori goes to the movies with her husband, knowing it's a hotspot for gropers. She feels safe with him, but as soon as the lights go down, she's touched by a stranger. She can't tell her husband, but the pleasure is too much to handle.












Sanae Aso is all about those heavy, thick, saggy boobs and big, brown nipples! This film is set in a movie theater, and I was happy to see a proper bathroom scene. It would've been perfect if she'd done some excretion too. If it were Sanae's poop, I'd want to cook it like a rare steak and eat it. Ah, I want to sandwich Sanae's poop between her saggy tits and jerk off!
I was reading an article about a flat-chested actress getting breast implants, and it reminded me of when Sanae Aso made her comeback with those terrible, fake-looking breasts. I suddenly wanted to watch her, so I bought this highly-rated older title. It's an old film, but man, Sanae Aso is great. Her body isn't what it was in her prime (and those breasts are awful! She didn't need to do that; her natural, saggy breasts were better. Maybe they shriveled after childbirth? Natural is best), but her mature look is incredibly arousing. The way she portrays a frustrated housewife falling into the sex of a groper was insanely erotic. Her kissing, fellatio, and moans are a cut above the popular actresses today. It's a bit of a shame that there are many dark scenes in a movie theater setting and she stays clothed a lot—probably to hide her body—but overall, it was much more exciting than the works of current popular actresses. Sanae Aso is truly something else.
*I was excited to see Mr. Aso looking so erotic, so I think it's okay to rent it or buy it casually.
Sure, if you compare her to her younger self, there's no end to the criticism, but conversely, there were many exciting aspects like her mature charm and the way her breasts sag. Tabuchi's bizarre performance was creepy, but the scenes where he fully savored Sanae were good (I actually kind of like Tabuchi's creepy character). The standing doggy style at the end, with her breasts bouncing, was especially great.
Neither the actress nor the actor seems to be putting in any real effort. This is a far cry from the reception of 'Chikan Cinema 2: In a place like this... and yet, I...! Sho Nishino.' Perhaps it lacked freshness because they cast such seasoned veterans, or maybe the production team has just hit a creative slump? It’s a lackluster performance from start to finish.