
Kaori, who was enjoying a happy married life, is kidnapped and subjected to brutal training. After being sold off to various brothels, she finds herself face-to-face with her husband, Ryosuke, who walks in as a customer. Will he recognize his own wife?












I buy this series because I like it, but this one was just average. Still good, though.
*It's been a long time since I've been unable to write an interesting script with my hands tied. This work also gives the impression that the ideas are at a dead end. A woman who became a disabled person after human trafficking ends up I have used the store called “Terminal Station” in other works as well. To put it bluntly, it's boring and not used effectively. What saved the script from being boring was the high quality of the actress. Her plain and happy-looking face makes her look better than an actress with no sense of life. She has the atmosphere of a real married woman. Her body is erotic and her body is nice, and this work is about her. It would be better to treat this as a work for watching guys play.
A husband wouldn't remarry while his wife is still missing! They should've at least included a scene showing him still searching for her. And when they finally reunite, it would've been better if she had changed into a nymphomaniac and spread her legs for him. Even if Hitomi Oki can't act, she could've at least portrayed a change in attitude. Also, the lack of variety in the soapland training scenes is a letdown... It's a pretty lewd story, so it's a waste! This could've been one of the best masterpieces in the genre.
*This is a work that is difficult to pass up unless you are a Hitomi Oki fan or someone who is seeing this series for the first time. I guess it's because Oki plays two roles (his wife and his second wife after his disappearance), and the other is a woman who looks a lot like his ex-wife, but it would have been better to have another woman appear. It would be unreasonable for Oki to be the only actress to appear. There is no sense of the passage of time, and Oki does not play the role of a seasoned and sloppy soapland lady with this in mind, so it is nothing more than a ``story''. Although he intentionally prepared a more miserable ending, he did the foolish thing of giving most of the plot and ending at the beginning, and then proceeding with the story.
It's been a while since I've seen this actress, and I was surprised to see she's transformed into someone who really suits 'unfortunate' roles. The story has some clever touches to avoid falling into a rut; it's darker than usual. Her performance in the rape scenes was convincing and worth watching. However, it felt a bit jarring when the story suddenly jumped to a seedy brothel scene without showing the process of the protagonist's mental breakdown. Also, I wish they had cast male actors who could handle the dramatic aspects better. The actress was better than expected, so I'd rate this as good.