
After my mother passed away, I was left with nothing but massive debt. To pay it off, I resorted to doing the unthinkable. But when I was discovered at a newcomer's writing contest, I thought I finally caught a glimpse of my dreams—only to realize my life was spiraling into a deeper, darker reality.












The actress has a mature face and body, but her inner self is still like a young girl, so if you expect a mature vibe from the start, you'll be disappointed. She's set as a best-selling author, but it's best to mentally adjust and view her as a newcomer who just debuted. The director is bad at filming costumes, so the kimono sex scene just feels like a mess of tangled fabric, which is underwhelming. I wish he'd realize he has no sense for filming erotic clothed sex. The actress's acting has improved significantly. Her lines and ad-libs are still subtle, but her ability to express lust through her eyes definitely raises the quality of the work. The male actor's partner for the first two rounds is lackluster. He's dim-witted and relies on brute force; you shouldn't let someone like that handle training-style play. I wanted Sasaki or Tabuchi to do it. The finish is the worst. He ignores her desperate pleas of 'Not inside!', keeps going, and then finishes on her chest or chin, which is a total letdown. Is the director an idiot?
The drama is well-made. It's a "forced by blackmail" scenario, but there's almost no violent depiction. This will likely be a matter of personal preference. The erotic scenes are well-paced in all three instances, but since they are non-violent, it might have been better if the cast were more specialized in that style. I'll look forward to the School Nurse series for that. The heroine is set as a calm character in a kimono; the actress is beautiful, but she has a slightly exotic look, so I felt a bit of a gap with the character. I think this actress would be better suited for a silent rape-themed work. Still, the visuals of her in a kimono are really great!