RBD-757 - The Lawyer's Downfall: Broken and Enslaved

Found 'The House Where the Slave Lives: Yu Konishi' on a half-price sale and bought it immediately. I collect her works because she's one of my favorite actresses. Her face is so easy to bully, and she has a beautifully voluptuous body with great breasts. Seeing her get ravished and reduced to a slave is perfect for her—I'm very satisfied with this one.

*I think people who give it a high rating are satisfied just by seeing the beautiful Yu Konishi being sexually assaulted. However, for those with a strong S-proclivity who desire sadistic torture, it may seem uninspired and unsatisfactory. First of all, the bad thing is that there aren't many scenes where the characters are tied up and raped (even though the director was tied up in the act...). A loose sex scene continues with both hands and feet free. Relying only on Yu Konishi's beauty and body, the rest is repeating the same scenario and direction. It's just there, so it's not good at all.

*In my personal opinion, this is a poor product for a product from this manufacturer. This is a disappointing work as I had high hopes for it.

They've made so many films, yet there's zero progress. They're just swapping out the actresses. Personally, I felt this wasn't worth watching unless you're specifically here for this actress. - At night, the husband is right there in his pajamas, so why is the wife wearing pantyhose? As if she knew what was going to happen next... - The men keep saying 'The husband is watching' over and over, but the husband never actually appears on screen. Were they planning to insert his footage later? - It's common in other works too, but in the masturbation scene, the other women are standing behind her mocking her. It feels purely for the sake of the shoot, lacking any real context. If they were actually mocking her, they should be looking at her face or the act itself... There are just too many issues. Is the director suffering from burnout after making so many films? It feels half-baked, like they just wanted to get it over with.

The style is similar to what Shinichi Kawamura used to make—it focuses not on the process of falling, but on the life of a sex slave after the fall. It feels like she's corrupted instantly by the first rape. It's not so much a 'hardcore rape' film, but rather, if you were to add speech bubbles to her being violated, it would say something like, 'Wait, is rape supposed to feel this good?' It's erotic to watch this married woman fall straight into being a sex slave, accepting the shame and humiliation of being violated in front of her husband or by her parents' enemy, and turning it into a perverse pleasure. I highly rate the fact that she doesn't just become a 'broken-brained bitch' like in many similar plots, but maintains that sense of being violated. Honestly, the 'lawyer' character setting isn't really acted out well, and it's hard to say it captures the contrast of an intellectual woman falling from grace. If you want to enjoy the process of becoming a sex slave, this might fall short, but as a depiction of the endless daily life of a sex slave, it's straightforward and hits the mark—it's a solid production.