
Her husband's company went bankrupt. Izumi consulted Ayaka, the daughter of her college friend and wealthy man Yuichi Asakura, for financial aid, but was ruthlessly rejected by Yuichi, and Izumi was sold to a soapland. Having tasted a living hell, Izumi burns with a desire for revenge against Ayaka.












*It's good that Rino-sama Kirishima, who has the feeling of being a real celebrity, falls into the fall, but it was disappointing that Rino-sama didn't appear much in the nearly four-hour movie. In this case, Nanako Tsukishima would probably be ranked higher as the main character. One hour was enough for the scene where Nanako-sama is raped. It's a shame considering that the content was so luxurious that you could see lesbians being teased not only by men but also by women.
*A woman raping a woman, the concept is good but half-hearted. I'd like to see something more intense, but it's kind of lukewarm.
There are a lot of negative reviews, but the drama part was actually really good. The way the actresses rotate through the same scenario works because the opening drama is strong, making Nanako Tsukishima's revenge arc quite engaging. However, even though they go through the trouble of turning her into a soapland girl, there's no mat play and no scenes of her actually taking customers. It's such a letdown. It would have been perfect if we could have seen her fully in her element as a soapland girl, like in the 'Slave Soap' series...
*I liked the aggressive words of the woman wearing a corset. If anyone knows this person's name, please let me know.
*She is trained to become a soapland lady. Rino Kirishima and Nanako Tsukishima take turns in almost the same training scene. At first, Nanako Tsukishima (before watching, I was looking forward to Nanako Tsukishima) The level of reluctance during the training process is so real...it's surprisingly low erotic. In the second half, Rino Kirishima...it's almost the same training scene, so I'll compare it. Rino Kirishima's reluctance is highly erotic...I can't get enough of the expression on her face as she tries to hold back what she's feeling.