
夫が事業に失敗し残ったのは多額の借金。住む家も追われた柿本夫妻は、夫の旧友である跡見を頼り、夫は運転手、妻の洋子はメイドとして跡見家に住み込みで雇われる事となったが…。












This work features a perfect harmony between the actress and the story. Nao Yuki was great. She portrayed both the melancholy and the mature sexiness brilliantly. I recommend this to everyone. You should definitely watch it.
The way the breasts are bound on this cover is so erotic. I wish actresses with a decent amount of volume would take notes on this kind of binding. What do you even call this style? Beyond that, the quality of the work depends on how persistently the director and the actor torment the breasts. It's not just about candles or vibrators. It's about devouring and teasing them deliciously; breasts are the pinnacle of erotic art. This actress's performance quality isn't bad at all.
Her breasts are saggy, her moans are low and lack sex appeal, and the interaction scenes don't feel erotic at all—it's a very underwhelming work. There was no sense of desperation, and it just ended without leaving any impression.
Nao Yuuki is great... seeing her being ravished is amazing. The cinematography is good too... it shows off her best assets until the very end. I think it's a well-made piece.