RBK-027 - 哀しみの喪服奴● 紗々原ゆり

*Mr. Sasahara, Ata, the widow, Mr. Tabuchi, I didn't have much to say. But she's beautiful and a really good actress.

Yuri Sasahara is great, but... I don't get the 'mourning dress slave' theme at all. No matter what the title says, there's just too much mourning dress. I'm here to see the actress, not the clothes. It feels like they've forgotten that.

It's in poor taste, but Yuri Sasahara looks incredibly sultry in her mourning clothes. Never mind in front of the portrait, but doing it in front of the deceased... In that atmosphere where you can't tell if it's a joke or serious, she radiates an undeniable, out-of-place pheromone (lol). The candlelight painting her ripe skin red is just so lewd. The mourning-clothes bondage really stirred up my sadistic side.

It's a world of perverted men who train a widow, who recently lost her husband, into a mourning-dress slave to suit their tastes. With a man (Masahiro Tabuchi) who has a unique, twisted obsession, they have sex with her while she's still in mourning clothes—not just in front of a portrait, but even in front of the body—while forcing her to say lewd things. It's a pretty deep world. It's less about 'corruption' and more focused on the training aspect. A professional rope artist participated, so the posing is very well-crafted. Yuri Sasahara is a rare talent who can adapt to any role, and she is beautiful.

*This director's widow drama, Aya Shiomi's, was pretty bad, but it's much better than that, and has a stronger feel of a late-handed drama than that one. There is a strong presence of a dark organization that "procures" real widows for sex slaves, and not only are they drowning in debt, but the black devilish taste that they have to get their husbands to die in order to create widows is reminiscent of the old Attackers. The performance in which the widow is humiliated and fucked next to her husband's corpse is a step further into the devilish version of the standard performance in which the widow is fucked in front of a photograph of the deceased or an altar. Karami also pretty much lived up to the level I expected from Yuri Sasahara and Tabuchi-kun, and although there are a few places where she seems a bit fake, Tabuchi-kun, who masters Sagawa's style of tormenting the vagina, is also good, and the acting ability of the actress who takes it seriously is also wonderful. The time difference between Tabuchi-kun's creampie ejaculation performance and the climax of fertilization when the sperm is felt deep inside the vagina, is something that a mediocre actress would not be able to bring out this much. However, the karami in the middle using young actors is opportunistic and cheap, and it could be done without it, and above all, the bondage has almost no necessity and floats in the overall flow, and to be honest, both the bondage and the bondage only slow down the tempo and get in the way. It would have been better if at the end she was hung in the air with her sperm-filled pussy exposed as if it were a picture of a deceased person, but the whipping and candle torture are typical additions. Considering the label's direction, it feels like they're putting the cart before the horse, so I think they should think about finding a way to harmonize drama and bondage.