
Reiko Kobayakawa is an ordinary housewife who suspects her husband of cheating. After catching him in the act at his lab, she gets exposed to gamma rays and grows 100 times her size! Now, with 100 times the sensitivity, she uses buildings as toys and rains down pleasure on the city below.




















As a size fetish enthusiast, it's a shame this concept didn't turn into a series. Instead of the woman growing, why not make a series where the man shrinks? There's a huge demand for shrinker fetish videos. Check out this title for reference: 'Yui-chan's Lover: One Day I Suddenly Shrank to 10cm and My Girlfriend is Huge' (SOD Create, 2007).
Because of the 'giantess' setting, you can feel the effort put into the production, such as the miniature city props. However, it wasn't a project worth using Reiko Kobayakawa and Sakura Umi for; it's a waste. As for Marie Konishi, she's basically just a background character (no sex scenes), and while there are lesbian scenes, there's absolutely no eroticism to be felt.
*Anyway, I was disappointed in the content.It was so boring that I stopped watching it halfway through. I think the director in charge of this work is making fun of lesbian users and fans of Kobayakawa and Uzuki. I would like you to never make a work like this again.
As a size fetishist, I applaud the concept and bought it to show my support, but the production quality still has a long way to go. That said, it's better than 'Naked Giant Girl' simply because it has actual sets. The scene where she destroys a building to make her entrance was quite good, but after that, despite having the sets, there are no scenes of her crushing cars or smashing buildings while people run away in terror. Also, while the idea of using a man as a vibrator is good, the direction is sloppy—like lacking close-ups of the man's expressions. I wanted the kind of meticulous direction seen in the old 'Yui-chan's Lover.' If it's a battle between giant women, the surrounding buildings should be collapsing, and honestly, rather than making the cheating partner giant, I would have preferred to see a scene of her chasing a woman while crushing buildings underfoot.
Here are my thoughts! [Part 1] The concept of 'full-frontal giantess' is hilarious. The silly, humorous style is genuinely entertaining. The retro design, reminiscent of old Godzilla movies, is stylish and shows great taste. If it weren't for the 18+ rating, I think it would have sold like crazy at Village Vanguard. This is exactly the kind of work that would grab attention at 'AV OPEN.' By the way, it feels like an upgraded version of the old SOD Create title 'Full-Frontal Giant Girl.' [Part 2] The miniature city sets and CG compositing were incredible. You can really feel the effort put into it, which is commendable. It's rare for an adult video to put this much effort into art sets and CG, and I truly believe ROCKET is one of the top-tier production houses in Japan. It's amazing that the production value is on par with GIGA, a studio specializing in tokusatsu. Plus, the flashy visuals of the tokusatsu genre really kept the energy high. [Part 3] The acting and direction were fun. You can really feel the dedication of the director and staff. [Part 4] The full-frontal nudity was erotic. [Part 5] In terms of production quality and entertainment value, it's a 5-star rating. It has become a legendary 'silly' masterpiece. My 3-star rating is just a matter of personal preference. [Part 6] I was happy to see Marie Konishi. There are two things I want her to do in AV before she retires! I really hope ROCKET makes this happen: (1) Try her hand at being an idol/singer. (2) Answer a ton of questions so we can know everything about her. (List of songs for #1 omitted. Please check the MVs on YouTube; they are super moving!) *I want to see both versions: - Performing in costume - Performing in the nude