RCTD-690 - 17th Anniversary User Request Festival. A colleague at my new job, after being fired from my previous company due to a fight with a vendor, turned out to be the woman I had fought with before. Assigned to a department of only two people, we frequently argued with each other at work, on business trips, and even in our private lives...

Lives up to the battle concept – it was an amazing work! The actresses' performances were also great! Looking forward to the next one!

I watched it because I'm a big Ishikawa Yowa fan. This was a top-tier lesbian battle. Both actresses are fantastic at conveying emotion, and it really feels like a work that only they could have created.

Overall, the composition lacks finesse and gives off a strong vibe of "just doing what needs to be done." There's no reflection on the shortcomings of past series like "Co-starring NG Catfight" or "Gutsy Lesbian Battle," and the content doesn't show any progress. While I understand the difficulties of video production, a "half-assed" result will eventually become impossible to hide. That's what this work is. ① Lesbian Battle in the Toilet A closed-room scene where voices should be suppressed to heighten tension and perversion. However, it was filled with moans louder than everyday conversation, and it felt like they couldn't show any eroticism without making noise, rather than clever direction. ② Lesbian Battle in the Office Exactly the same composition as the "Moaning Series," with no differentiation or effort. There's no point in separating the series, and the quality is even lower than existing works. ③ Lesbian Battle in Suits Sure, a lesbian scene featuring large breasts is erotic on its own, but that's just "it's erotic when big-breasted people have sex." The blatant "undressing" was also just Shirasaki stripping, not erotic at all, and I felt a lack of acting direction. ④ The Final Lesbian Battle Starting with removing the gowns, the climax. I felt the intention to deliver a "spectacular lesbian battle" as advertised on the package, but the main plays like shell-collecting were already consumed in scenes ② and ③, with no differentiation. As a result, it became a "lazy rehash" with little tension or highlights. The lack of effort here is the "half-assed" feeling I mentioned earlier. I really got the feeling of "just doing what needs to be done." ・Points of Concern (Overall) The low awareness of performing lesbian scenes with fake nails. The clumsiness of frequently inserting unfunny facial expressions. The lesbian sex composition feels like a rehash. The cast has a huge difference in acting skills (regardless of agency issues). The lack of enthusiasm to make the visuals "erotic." It's hard for the average person to imagine how difficult it is to shoot a nearly 2-hour work in one day. But we also work tirelessly, sacrificing our minds and bodies, and since we pay "more than the price of a movie," we approach it with expectations and dreams. I've been betrayed countless times. Still, I thought, "this time it will be different" and bought the work, only to be betrayed again with this one. Still, I'll probably buy the next one too.

The facing-off stance was great, and the sound of their bras rubbing against each other was a nice touch. I think it really showed Karimi-san's style, with the lesbian battle unfolding in a heart-pounding way to avoid being noticed by others. The development of the lesbian battle and the high intensity were perfect and got me really excited. But there's just one thing... there was almost no nipple play. Maybe none at all? Instead, they were using nipples to press against each other's faces. And then the exchange, "Suck me." "No way." (crying). It's honestly a ★5-star level work, but because the nipple play was practically nonexistent, I had to give it ★4 stars.

Lots of expressions of anger and restraint, plus some grappling and attacks on weak points – it was a really enjoyable catfight that kept me on the edge of my seat. All the matches were great, but as a huge Ishikawa fan, I especially recommend checking out the third match a few minutes in for the silent, immersive sound design. And in the fourth match, the technique around the 1 hour 20-minute mark, and the expressions and vocalizations you hear a few minutes after that are seriously top tier.