
8 years ago, Sachiko abandoned her family to run off with a lover. Now she's back, and her son Satoshi is filled with a dark, twisted desire for revenge. 'I'll make you suffer just like I did.' As their forbidden relationship escalates, her husband Yukio, who hasn't touched her in years, watches in agony as his own son takes what he couldn't.










*This is a work that shows off the beauty of mature women. I find it quite appealing to be blamed by a child. The way she looks when she walks with a vibrator inserted is sexy. The way she withstands all kinds of punishment is fascinating.
*I was hoping for some interaction between the three of them, but it was only for a short time in the last 5 minutes or so, and it wasn't even a threesome. It's been frustrating. It would be nice if there was a sequel with the same actors and cast that further developed the story.
Even though she's on the pill, I pay my respects to her growth as an actress with this thick facial. I hope she continues to grow further with aged ejaculation and dribble shots.
Shoko Furukawa is definitely a sexy woman, but her acting is truly terrible... The way she acts so subserviently, trying to appease her estranged son, just makes her bad acting even more glaring. The actor playing the son is also awful. Especially in the first half, the sex scenes feel so hollow because of the poor acting. However, as it moves into bondage and candle play, she finally seems to regain her natural sexiness in the second half. If you're into bondage or mature women, it's alright, I guess.
Shoko Yoshikawa is beautiful and has a mature, sexy vibe, but her line delivery is completely robotic. It ruins the dark, lewd atmosphere of the film. It was so bad I was shocked. She just comes across as a dim-witted, stupid woman. The plot, where long-standing resentment toward her mother turns into rape and escalates into SM play, feels way too abrupt. As for the sex, the back-penetration while her upper body was tied up was good. The candles were unnecessary. The drama is a mess, and the core 'violation' play feels lackluster.