
Maki returns home to settle her late mother's affairs and encounters Haruto, the son of her ex-lover. Haruto looks exactly like his father in his youth, and as Maki overlaps her past memories with him, they fall into an uncontrollable, illicit affair. Lost in the heat of passion, she forgets her own life, but the reality of their situation looms cruelly over them.










Bought this used. After watching, I have to say Maki-san was great. She was gentle and took the lead with the actor. From the scene where she's heating the bath to the very end, Maki-san was wonderful... However, as other reviews mentioned, the male actor is terrible. His way of speaking and his chubby physique are just not good! Maki-san's approach had some good parts, but Madonna should cast well-known actors! Like Yuki-kun. It's a shame because Maki-san was great, but casting an unknown actor really ruins it for the viewer. That's why I'm giving it 4 stars.
*Maki-san is bright and kind as always. My favorite Maki-san, who treats everyone without discrimination. My hope is that he is a good-looking actor, but even if he is not Maki-san was kind to me and I fell in love with her even more. As for the work, minus 2 points for the actor.
*The actors are mushy and lack a sense of cleanliness. Her stomach is also exposed, which ruins the atmosphere.
The male actor is terrible; it's a waste of a Maki Tomoda production. It made me realize once again that the male actor is really important in AV.
To sum it up, for those who aren't fans, "Tomoda-san has better works out there, so it's better to choose by looking at past reviews." Tomoda-san is a pro among pros, so her technique never fails. This performance is also excellent. However, the factors meant to highlight the actress—like the planning, story, and composition—are lackluster. It seems the label 'Monroe' was aiming for a progressive dissolution of the old 'obasan' label, but so far, it feels like a failed concept.