Yuuka MizunoOnly focused on work, my father was the worst, neglecting the family and there were no memories as a family. I was raised with affection solely from my mother since I was young. It wasn't long before I began to perceive my mother 'as a woman'... And suppressing my feelings for my mother for 10 years, now at an age where I can be independent, I decided to take action to be with my mother. 'My first trip with my mother on my first salary', at a secluded inn where no one would interfere, I loved my mother to my heart's contentโ.
*The transition of Mr. Mizuno's emotional conflict with his son is beautifully depicted. At the beginning, the mother, who is tired of her husband's moral harassment, is happy to be comforted by her son, but the son sees her as a woman. He forcefully holds down his mother, but on the verge of it, he collapses. That said, Mr. Mizuno's slap is very strong. After that, she responds to her son's wishes, but she still resists mother-son rape. In the final encounter, the two of them drown in pleasure, saying that this is the last time. The kissing scene with Himori is intense, but I think it would have been better if Mizuno stuck out his tongue a little more. Even in the darkness, the use of light from the andon lights creates a warm atmosphere, which is nice. The visuals in director Ukichi's works are beautiful.
*Yuka Mizuno is great. The changing style is eye-catching. It would be nice if they could get my husband a little more involved in the last 30 minutes or so. Mother-child stories usually end with the world of two people being closed off, but I would like to see a series that is different from previous ones by actively involving the husband (= father).
A kind son who worries about his mother, who is constantly harassed by her mean-spirited husband. ~I wish I had married someone nice like Hajime~ a truth that slipped out unintentionally. Mizuno Yuka is perfectly cast as the unfortunate mother falling for her son. ~I want your mom!! As a woman~ forced kisses, pussy-fingering, skirt-lifting, thigh exposure โ from the very first scene, Hajime aggressively pursues her. He starts groping her breasts, and her moans of 'No!' begin to transform into sweet sounds, but ~Hajime!! Stop it!~ She manages to regain her composure and slap him away, but the angry tone of her voice was likely directed at herself for almost succumbing to pleasure. The response continues, revealing she's actually frustrated. Another day, Hajime gently embraces Yuka's mother from behind in the kitchen. For some reason, Yuka says ~Dad said he'll be home late tonight.~ Perhaps wanting to continue where they left off, they move to the sofa and begin a tender introduction to sex. ~You can't tell Dad!~ This line is a signal that they're about to do something naughty. Their forbidden relationship gradually becomes normalized, and when he exposes his dick, her reason flies out the window. Yuka's technique of gentle cunnilingus is superb. <If you think she's enjoying herself with some young man>, reason disappears and only pleasure remains. Yuka is incredibly skilled at portraying that. When Hajime pulls out his dick, ~No!~ Just take it! Just take it, yo!~ Just taking it isn't enough. Eventually, she ends up getting a doggy-style position. Afterwards, the two go on a hot spring trip. Even there, when Hajime asks, ~I want you~ she replies ~That's not good~ โ is that just a formality? Coming all the way to the hot spring and now saying that? When he pleads ~I want to put it in~, after a pause, she responds in a wet voice ~No~, a remarkably skillful expression. Her blushing face and hesitant, ecstatic expression are erotic. And the final scene shows them making love in the room next to where her husband is sleeping, with the shoji screen left open. Intense sex continues without a care for anyone. It feels almost too serious, and that's where Himori's skill comes into play. Himori deserves a star too.
The realistic portrayal of escaping an abusive husband was good. The resulting mother-son 'yarimoku' trip also felt believable. However, I was disappointed by the climax, which involved something ridiculous happening while the father was sleeping. If it were a comical work, it might be acceptable, but this serious tone followed by *that*? That kind of setting only works with a runaway type where they don't care if they get caught, or a yakuza type who's deliberately trying to get exposed, leading to a destructive outcome. While the son has a bit of a rebellious streak, this work isn't that extreme, so the unnecessary risk-taking near the father feels unnatural and kills the mood.
Mizuno Yuka initially firmly rejects her son, but then quickly becomes almost head-over-heels in love in the next scene, which was a surprising shift. Also, the scenes at the inn later on were hard to see because the lighting was so dark, which was a negative. However, Mizuno Yuka's eroticism remains consistent, which is a good thing.
