Syouko MatumotoShoko, having lost her husband to illness, stared blankly at her husband's portrait. Her son, Hajime, behaved stoically towards the mourners who visited the house in place of his mother. That night, Hajime, suspicious of his mother being alone in the living room with his uncle, eavesdropped through the sliding door and discovered that his mother was being sexually exploited by his uncle in exchange for financial assistance. Feeling a perverse desire for his mother moaning in front of his father's portrait, and a possessive desire not to lose his mother to his uncle, Hajime...
Shoko-san's mourning outfit is insane. Even her slightly flabby belly feels erotic. I'm strangely drawn to itโฆ
This is the first time I've seen a work by Matsumoto Shoko... That somehow melancholic, husky moan really fits the situation in this work, it's amazing. In the first doggy style scene, "No, no... ahhh..." I kept replaying that sound over and over. And I could *feel* it down there too... I think this is the best mother-son doggy style scene ever. Seriously, this is a masterpiece.
*Shoko Matsumoto is an actress who is full of the sex appeal of an adult woman. However, as was the case with ``I watched my beloved mother keep being raped by robbers...'', I guess she's not very good at acting when someone is forced to do something she doesn't want to do. I felt that the dialogue in this work didn't seem natural, but I was excited to see the momentary changes in the tone of her gasping voice during the dialogue, and the way her body reacted, as if I was getting a glimpse of Ms. Matsumoto's natural reactions, rather than that of an actress. On the other hand, if this were an act, I think it would be amazing! Also, are you feeling a little cold? I wonder if it was. I thought my voice was hoarse. However, I still got very aroused by the low moans that leaked out from time to time. I would like her to continue playing the role of an adult woman who falls prey to the desires of young, or if I may say boyish, male actors.
*A slightly more sophisticated look. A widow who cannot become financially independent and is simply swayed by circumstances. Lewd It's different, but she easily opens her legs to both her uncle and son. Therefore, his sense of immorality is weak. When a son emerges from a financial crisis by making unexpected financial gains, he breaks his late husband's teacup in a ritual. He even chooses to live with his son forever. Women's survival instincts are strong. perforated Maybe it's too small. In the scene where she gives a blow job to her uncle, the silhouette through the shoji screen stirs up the imagination and is great!!
It's rare to see incest in a Jomuuri Jou film. The plot of a mother having sex with her uncle for money and her son then having sex with her feels like a remake of the "After having sex with my husband, I'm constantly being fucked by my father-in-law..." series. The scene where the son suddenly sucks on his mother's macro, who might have just been fucked by her uncle, is really disgusting, but it feels like Jomuuri Jou's typical sloppy direction. If it were a Jomuuri Jou film, he should have added more detail, like using a used condom as a prop, or showing that the uncle doesn't habitually go all the way. However, the twist that the son, who seemed like a recluse, was actually making a fortune from day trading was good, and the primitive structure of a male dominating a female with wealth and sexual power reminded me of Kitorune Kawaguchi's work. The mother finally accepting the doggystyle fuck after repeatedly rejecting it is handled with a degree of sensitivity, not lightly, but doesn't go as far as depicting pregnancy, which is typical of Jomuuri Jou's subtle approach. The ending, hinting at her becoming the son's woman after mourning her deceased husband, was also good, but it might have been clearer if there was a scene in the middle of the husband and her sitting on the veranda for contrast. If you use a teacup as an item, you could have portrayed it as a couple's teacup, like "My wife will be home soon. Kana Shimobu." I think there's still room to explore, but Matsumoto Shoko's portrayal of the mother was emotional and delicate, and the eroticism of the Karami scenes was also good. I think it's reached a quality that could warrant a series. However, getting Jomuuri Jou to make a series out of an incest story seems like a pretty high hurdle.
