ROYD-191 - A relationship of only kissing with my brother's wife... that's what it was supposed to be, but they couldn't resist each other, heavily mixing saliva, and repeatedly engaging in hidden intercourse. Shiroishi Momo

The erotic scenes are definitely up to "Shiraisi Momo"'s standard. She moves her hips and really goes at it, so I think the satisfaction level is high. The camerawork has just the right distance and angles, and the shooting technique is really skillful. It's also a plus that it's stable and easy to watch. This cameraman is amazing. If you're on the fence after seeing the sample, I think you won't regret buying it. It's incredibly practical. As for the drama portion, I didn't think the acting was very good, and I didn't understand the story at all. Honestly, I couldn't get invested and it actually cooled me off. That part might just be a matter of personal preference, though.

I didn't really understand the concept of a relationship that's just about kissing. It quickly transitioned to sex pretty early on, and the rest of the time was just a typical sex video. Honestly, just kissing is already crossing the line. If they had properly explained why they were stopping there, the story could have developed further. For example, instead of stopping, they could have used some excuse to slowly and thoroughly kiss her neck, collarbone, back, navel, feet, hands, armpits, nipples, crevices, and even her… well, you get the idea, building up a sense of inevitability, and *then* had sex. That would have been much more cathartic. The actress seems responsive, so I think the idea of focusing on kissing her skin was a good one.

Since the premise is to stop at just kissing, it's good that there are a lot of kissing scenes even after they can't stop! French kissing can be resisted, but a deep kiss with tongues intertwined is absolutely irresistible. If you ask where the line is for infidelity between a man and a woman, I can confidently say it's the moment they share a deep kiss.

She's petite and slender, but her expression during H scenes is alluring. It's a shame that the location changes a few times during H. I wish they had continued in the kitchen. Also, the actor's finish both times was covering and penetrating Momo-chan, which is just no good. Lack of skill. Such a waste.

"Just kisses. Nothing more…" The second standalone work based on the previous installment. The Goichi Miei version of the previous work lacked sufficient ideas to develop from the omnibus format, and the forced feeling in the latter half was disappointing. This work has a well-structured narrative with consideration for the overall composition, including a depiction of the older sister-in-law's psychology as she wavers between her husband and stepbrother. As a standalone work focusing on the older sister-in-law by director Kawashiro, and using the same actor, it evokes the completion of "Midnight Intercourse Filling the Older Sister-in-Law's Loneliness Awaiting Her Husband's Return with Semen. Kurokawa Sumire". I think the casting of the husband role was also exquisite, balancing well with the main two and having a slightly subdued atmosphere as a cheating role. The composition, which expands the interpretation of "just kisses" to "kisses can also be on breasts or the pussy?" and then to "if we're kissing, we can have sex," prioritizing kisses, is also highly praised. I also like that the oral sex in the middle doesn't deviate from being a kiss on the 'thing'. The depiction of the older sister-in-law, shaken by the unauthorized penetration in the first half of the sex, and then succumbing to destructive intercourse to become pregnant with her stepbrother's child as proof of choosing her stepbrother over her husband during his business trip, is also well-done, clearly portraying the sense of sin. I was impressed by the effort put into the final cut, which conveys the feeling of having sex all day from morning to evening, and I felt that the creator's spirit was a little different this time. Even though the main part is long, it doesn't feel insufficient even with only two scenes, and I think it has become a masterpiece that could be the foundation for future works. I had the impression that Shiraisi Momo often plays JK or younger roles, so I wondered if she would be suitable for the role of an older sister-in-law. However, despite the difficulty of the role, which requires a large emotional range between her husband and stepbrother, she convincingly portrayed it both dramatically and in her dialogue, demonstrating her high acting skills. If there is a sequel, the bar will be raised, so I feel sorry for the casting director if they don't consider it carefully.