ROYD-231 - I want to break up, but my useless boyfriend who doesn't do housework or work has a very attractive penis... I absolutely can't escape this pleasure-seeking womb-like trap. Miyu Hou

*With Miyu Otori, even though she has debts and wants to break up, she will feel it through sex! At home or in the office with my boyfriend (Tsukasa Hirata) who makes me cum. I keep playing the game over and over again. Hirata's cock strikes Miyu! Transcendental beauty Miyu's nakedness is dazzling! Particularly good was Miyu's black pantyhose play! In the end, Hirata becomes careless about money again. Although there are some irritating scenes, it is an enjoyable and enjoyable work.

*It's a common scenario that you want to break up with your shitty boyfriend, but you're too dependent on him to break up with you. At the beginning, in the H scene where they make a bet to break up, they just succumb to the intense H. I think I wanted him to show us their good compatibility and the greatness of his H-techniques. In the second half, there was sex like that, so I wanted him to do it from the beginning.

*Miyu Otori proposes to break up with Tsukasa Hirata, who doesn't work and enjoys playing pachinko. When someone asks me, ``You won't be satisfied with another man, right?'' I pretend to say, ``Well, I can do it.'' ``Then, let's decide whether to break up or not,'' he asks. She is penetrated doggy style on the bed and asked, ``You're cumming, right?'' but she insists, ``I'm not cumming.'' As he is being penetrated in doggy style, front sitting position, and missionary position, he says, ``Wait, wait, wait...Ah, I'm cumming, I'm cumming.'' Holding onto the bed and being stabbed from behind, she admits, ``I don't want to break up.'' The next morning, I realized that the bill had been taken out of my wallet. My colleagues at work advise me not to break up with them. Tsukasa receives a call on her smartphone and says that she has lost her house key, so she will lend Miyu's key and that she will go to the office to pick it up. When I said no, he asked me to come back and hung up on me. When I skip work, Tsukasa gropes my breasts in the hallway of the apartment building. He wraps his tongue around her, licks her nipples and shaved pussy, and finger fucks her. Immediately measure and shoot in the throat. If I work overtime at work, Tsukasa will call me. She ignores him, but then she slumps down on her desk, wondering why she can't break up with such a scumbag. When someone calls out to you, you look up. Tsukasa, who is standing by her side, says that she was worried because she hadn't heard from him. ``Hey, isn't it more exciting to do it at work than in the hallway of your apartment?'' he said, kissing his lips. Her nipples and clitoris are wetted and she is finger fucked. Tsukasa who was sitting on a chair was immediately measured and shot in the throat. I was forced to hold on to the desk and ejaculated from behind. Tsukasa who is sitting on a chair pushes her up in the backward sitting position. His lower back is stirred up with a standing pose. He is made to sit on the desk and ejaculates in the vagina in the missionary position. ``Let's really break up,'' he says, and takes back the key. I concentrate on work, but I can't shake the loneliness. When I get back to the apartment, Tsukasa is sitting in the hallway and says, ``I left something in my room, and I want to get it.'' In the room, he kneels down on his knees and says, ``Please don't throw it away, please!'' "Okay, I won't break up with you," he blurts out. Their tongues intertwine on the bed. Her nipples are sucked, finger fucked, and licked immediately. Sucking nipples and penis, 69. Creampie in missionary position, front sitting position, face-to-face cowgirl position, backward cowgirl position, and bending over. It is penetrated in doggy style, backward sitting position, and extended leg doggy style. The headboard is held and penetrated from behind. Ejaculation inside the vagina while carrying the pestle, backward position, waist high position, and missionary position. Breast cumshot in missionary position. When asked if he could lend me his cell phone bill, he says with a wry smile, ``I'm a no-good guy after all.''

*Miyu Otori's facial expressions and gestures are so natural that it draws you in. The camera work also has a sense of life to it, giving off the perfect atmosphere of someone falling for this no-good guy in everyday life. I like that the sound is subtle and there's a strangely vivid atmosphere. The editing progresses quickly so it's easy to watch, and Miyu's troubled face and sexy acting match perfectly.