
お金には全く困っていませんでした。夫は経済学者で最近はテレビにも活躍の場を広げ、私は多忙な夫を支える‘献身的な妻’を演じていた。だけど、疲れてしまった。そんな私にとって「万引き」はストレス発散のはけ口だった。あのスリルと快感が忘れられなくて…ダメだと分かっていても繰り返してしまうんです。










I probably shouldn't even have to say this, but she's wearing clothes and carrying a bag with zero storage space for shoplifting. Plus, it's way too sexy for that anyway. Try again next time♡
An Attackers production featuring Toru Ozawa; if it starts as a fantasy, it's full-on fantasy creampie until the end.
I had already seen Sannomiya-san and Ozawa-san in the same director's 'Closed Room Kissing President's Office' and later watched Director Echi's 'Stepfather's Masturbation...', so I thought I'd skip this, but watching it now by chance, it was an unexpected masterpiece. Honestly, the sex scenes in 'Stepfather's Masturbation...' are better, but this work is well-crafted as a drama. It reminded me of the same director's 'Frustrated Beautiful Wife Ravaged by a Malicious Neighbor.' Both share the theme of a down-and-out man meeting a woman who seems well-off but harbors frustrations others can't understand, leading to an unlikely emotional connection born from a forced physical relationship. Director Kitorune Kawaguchi is known for his drama direction, though I don't think he's an all-rounder. However, including works like Oguri Miyu and Ozawa's 'Childhood to Middle-aged Man...', he's a romanticist who seeks 'love' behind the sex—unusual for an AV director—and he shines with such material. He's also skilled at incorporating social issues like franchise contracts, temp layoffs, and 'dark part-time jobs.' Sannomiya-san is young and cute, yet strangely fits these twisted roles perfectly. The allure in her eyes while looking at the man during their encounters doesn't seem like someone in her early 20s. The dress and glasses, symbols of a wealthy, intellectual woman, suit her well. The final sex scene is brilliantly directed to show they are mirror images of each other, and it's moving to see these two mismatched people realize they need each other. Unlike 'Malicious Neighbor' where the woman is aggressive and the relationship continues, the ending here—with a new convenience store owner and the emphasis on Sannomiya-san's poignant loneliness in the same dress from the beginning—is also excellent.
I enjoyed it. Her acting is as excellent as ever, and her body is amazing. I want to see more scenes with shirts unbuttoned, bras pushed aside, and panty-side penetration finishes.
This work features very little of Tsubaki's great body and action. Plus, she looked a bit like an 'ajumma' (middle-aged woman) in scenes other than the third one, which was disappointing. On top of that, it wasn't even hardcore.