
Yukiko reigns as a female president with strong authority because her husband, the chairman, is elderly and does as she pleases. Ten years ago, Yukiko, a new secretary, was noticed by the president and became a second wife… She was ridiculed by relatives and veteran male executives for aiming for her property, but she demonstrated her innate ability and now controls the company. She gradually awakens to harassment of men, using her power as a shield to subject male employees to power harassment, moral harassment, and sexual harassment… and intense harassment. Meanwhile, Doi, who has served Yukiko as a slave-like secretary, awakens to the words of Masaki, a designer who visits the company and is a senior at university: “That’s brainwashing,” and tries to escape Yukiko’s shackles with Masaki.










I think her expressions, movements, and style are almost perfect. The scenes with the two of them together are a bit hectic, but the feeling is really good. I'm looking forward to more. This is a masterpiece.
Amazing style, a super pretty face, huge breasts – she's perfect! This is a masterpiece, I'm telling you.
*Miss Tina's body and entanglement have outstanding destructive power. The erotic mode after the short resistance at the beginning of the final R is wonderful. The charm of the mouth and body while sitting face to face on the sofa is Strongest level. But... how did it go, what was the key to it falling down? Did Miss Tina become the slave of two men in the end? ? ? I don't really understand.
This is a follow-up to the director's previous work, "I made the annoying female boss who was going to retire have a lot of useless semen injected into her uterus and made her cum." While the script isn't a straight rehash, it shares the same focus on impregnation themes. The script honestly feels overstuffed and rough around the edges. I thought it would explore brainwashing or Stockholm syndrome, but then they introduce a convenient amnesia drug, and suddenly there's blackmail with lewd photos – it's just a pile of ideas without any editing. The core concept is a female president who might be ousted if she doesn't produce an heir, so they should have streamlined the unnecessary parts and focused on that. It would have been better to reveal that the impregnation was part of the president's plan, or that the amnesia drug was a placebo she orchestrated, highlighting the disconnect between the male and female perspectives. That said, the twisted situation of forbidden pleasure from being sexually enslaved and impregnated, and the cunning woman who gains power through pregnancy, does come across. Tina Shichimi does a great job portraying the eccentric role and delivering powerful interactions. Yuki-kun's performance during the insemination scene, with his persistent thrusting deep into the uterus, is impressive, but the other actor unfortunately lacked a bit in acting ability. I can't give it a perfect score this time, but I hope [Jo]Style continues to delve into the difficult drama of a woman who wants to be impregnated, even if it means being treated as a sex slave. Ideally, the next work would be released in more than a year.
Hey, Attackers producers, you all know that Tina Shichimi isn't just a sexy actress, she's a fantastic actress with real acting chops, right? How about pairing Tina Shichimi with Masahiro Tabuchi? The amazing acting skills of these two will deliver a far superior quality than if those two actors had just average acting skills. So, please respect the director who created this wonderful story by casting a great actor like Tabuchi alongside Tina Shichimi.