
Mio, the homeroom teacher, regularly visits Mikio's home to check on him, as he became a school refusal due to bullying. Mikio was still unable to attend school and remained withdrawn, but his gratitude towards Mio gradually turned into romantic feelings. Ki, Mikio's foolish older brother, learns of Mikio's innocent crush and plots to crush his feelings with a malicious smile.










Does a plain, slightly unattractive woman, after being forcefully taken repeatedly, eventually start to feel a sort of 'pretending to be her' sensation in her heart? And does that pain become a greater pleasure for the viewer? This one has some serious depth.
*This is one of the many works I've seen this year that ranks high. ① The actress' body shape is disgusting. The play where they fuck without taking them off with the pantyhose torn is the best.The color of the pantyhose is exquisite and you can feel the director's taste. ②The story, including the play where he is shown off blindfolded, is wonderful.
*Although this film has the "Attackers-like" feel inherited from director Kenzo Nagira. Compared to the full-fledged Ryou/SM depictions of the previous Nakushima series, this work has a calmer feel. Compared to Nagae STYLE and FA Pro, Attackers plays more often at dusk. As a result, the darkness is subtle. The actor who plays the younger brother, who is like a sub-protagonist, has almost no lines, Sex between the actor who plays the role of the older brother and the female teacher (Miss Ikumi) whom he admires, The depiction of him just watching is surreal. If this was director Henry Tsukamoto, Takami Nagae, and Jotaro Tomi, they wouldn't have just left the role of the younger brother sitting there. Once Karami begins, there isn't much drama.